NEW

The Santa Myth…

...And Why Pit Such a Cheery Legend Against the Horror of Zombies? by John Mayer Although this very question sounds paradoxical, the horror genre has always been at its best when it injects the shocking, the gruesome, the profane, the unknown, the ugly with the...

Storytime with Ian: Who are the Jötnar?

“In the beginning God created the heaven and the earth”. See, that’s where the Christianity has it all wrong. All good Vikings knew the real story of how it all really began. The same way it will all end. With giants. Ginnungagap was the great emptiness before there...

FOR IMMEDIATE RELEASE Media Contact: Gwendolyn Nix gwen@outlandentertainment.com SANTA VS ZOMBIES, ORIGINAL GRAPHIC NOVEL, LAUNCHES ON KICKSTARTER  Adventurous world full of Christmas cheer and gore to launch April 9, 2019   TOPEKA, KANSAS (April 11, 2019)—A new...

NEW COMIC, ORC GIRL & GOBBO, RELEASES FROM OUTLAND ENTERTAINMENT

FOR IMMEDIATE RELEASE Media Contact: Gwendolyn Nix gwen@outlandentertainment.com NEW COMIC, ORC GIRL & GOBBO, RELEASES FROM OUTLAND ENTERTAINMENT  New Post-Apocalyptic Fantasy Comic Releases on March 29, 2019 TOPEKA, KANSAS (March 29, 2019)—Orc Girl & Gobbo, a...

Planet Comicon 2019 Booth #1925

Hello folks! As we do every year, we'll be out at our hometown show, Planet Comicon. We'll have a variety of books, games, comics, and artwork on the table for you to check out! We'll be at booth #1925. This year, special guest Chris Yarbrough will be joining us for...

NEW VIKINGVERSE GRAPHIC NOVEL, THE JÖTUNN WAR, LAUNCHES ON KICKSTARTER

FOR IMMEDIATE RELEASE Media Contact: Gwendolyn Nix gwen@outlandentertainment.com NEW VIKINGVERSE GRAPHIC NOVEL, THE JÖTUNN WAR, LAUNCHES ON KICKSTARTER The first of a four-issue graphic novel brings Norse history to life this March TOPEKA, KANSAS (March 22, 2019)— The...

Reclaiming Norse Mythology from the Nazis by Ian Stuart Sharpe

It is one of the most iconic scenes in modern cinematic history:  Indiana Jones is in a desperate race against the Nazis, a lone hero battling against the entire German war machine to prevent an ancient artefact of immense power from falling into the wrong hands. Of...

Interview with Ian Stuart Sharpe, Author of The All Father Paradox!

Q: What made you write The All Father Paradox? Ian Stuart Sharpe: I think it was preordained. Not in a crazy way, you understand. You just learn to spot the signs, to realize that something is off-kilter. For example, in the year 793AD, according to the Anglo-Saxon...

THE ALL FATHER PARADOX Releases in October!

THE ALL FATHER PARADOX by Ian Stuart Sharpe Coming in October! What if an ancient god escaped his fate…and history was thrown to the wolves? Churchwarden Michaels thought it was just a run-of-the-mill crazy old man who stood in the graveyard, hellbent on studying the...

HATH NO FURY Has Hit the Shelves and E-Readers!

Mother. Warrior. Caregiver. Wife. Lover. Survivor. Trickster. Heroine. Leader.   This anthology features 21 stories and six essays about women who defy genre stereotypes. Here, it’s not the hero who acts while the heroine waits to be rescued; Hath No Fury’s women...

There is an immense community of video game designers that, over the last 10 years, have worked towards furthering video games as an artistic medium. While some of this progress relates directly to the rise of the video game industry, this progress is also the result of artists and designers making a conscious choice to consider video games as an artistic medium.

Despite the relative age of the medium, these efforts have made the argument of video games as art a serious academic discussion. Museums across the United States now consider the value of video game exhibits. Even Roger Ebert has taken up the discussion, lending credence to the debate despite his own conclusion that art cannot be won. While there is significant overlap between the design factors involved in video games and tabletop roleplaying games, efforts to further tabletop roleplaying games as a medium are virtually nonexistent.

How have video game designers made progress furthering videogames as an artistic medium? Here are 2 approaches that may serve as a guidepost for the future of tabletop roleplaying games as a medium.

Tell Different Stories

Designers of video games who want to reach a wider audience have made significant gains by following in the footsteps of comic book creators. In the same way that graphic novels like Maus and Persepolis have transcended the idea that comics and the superhero genre are the same (comic books are not a genre), releasing video games outside of typical genres like Professor Layton and the Curious Village, Phoenix Wright, and Dance, Dance, Revolution has increased the breadth of the video game audience.

Experiment with the Medium

While hardware limitations have always served as a catalyst for creativity in video game design, it has rarely served as the source for major innovation. Instead it has been the role of indie game studios, often on limited budgets, to create innovative game structures. Major studios may occasionally break new ground, as Lucas Arts did with its noir-comedy Grim Fandango, but for each example of innovation from a major studio, there are a dozen indie examples. Developers, thatgamecompany, are perhaps the most well-known, having released the highly experimental Flower and Journey.

Tabletop roleplaying games are a medium that has a significant amount in common with video games. Yet the community of video game designers working to further their medium has no equivalent in tabletop roleplaying games. This isn’t to say that there are none, only that those treating tabletop RPG design as an artform are limited.

These series of posts will discuss tabletop roleplaying games as a medium for artistic expression. The first article in the series can be found here: Why Roleplaying Games “Don’t Get No Respect” Our next instalment will take at tabletop roleplaying games that blur lines between simple game and artwork.