Are there any specific scenes that stand out?
Absolutely! I love action scenes, but so often the most impactful images, at least in my opinion, aren't action-oriented, but drama-oriented. I mentioned Sean Gordon Murphy earlier, and now more specifically, his work on Joe the Barbarian. In that book, the ending is so powerful, it would bring tears to your eyes. I know it did to mine. It wasn't the usual action scene capped by the shot of the death of a beloved character, for example. I won't spoil the ending, but take my word for it. Buy the book, read it, and you'll understand why I love dramatic scenes.
In Warlock 5, there is a great one. It takes place in Tanith's chambers. She's searching for something and is visited by Savashtar. They're both detectives of a sort, and they have a kinship. Nothing tawdry, more of an unspoken connection, but in this scene Cullen wrote the dialogue in such a way as to be uncharacteristically unsnarky for Savashtar, as well as uncharacteristically affectionate for Tanith. It made for a scene that needed some subtlety. So, I arranged the camera angels and the composition to try and imply that they were engaging in a verbal dance. A back-and-forth spinning waltz that grabs you and takes you along with them. The best part is they never take a physical step in any direction in that entire scene! But they do move with each other just like a dancing duo reading the flow of each other's moves.
I have to say that I'm more inspired by this script than any other I've ever worked on and its the depth that Cullen puts into it that makes scenes like this one happen. It happens to be my favorite scene so far!
The story is really diverse, ranging from fantasy settings to hi-tech scifi. How does one keep aesthetic coherence between this blend?
I think the best way to maintain coherence is to boil down the different genres to what's at their respective cores. Once you do that, the job is to remain true to them. Remain true, but blend them. I think of it in terms of colors of paint. Imagine that Sci-Fi is red. The most intense, vibrant red you've ever seen. The same is true for Fantasy, but it's yellow. Now, they seem like such different genres. Different colors. They both have bodies of works ranging from iconic movies to comics that inspired generations. Each one is a slightly different take on their original respective red and yellow. Perhaps the iconic movie Star Wars is a vermillion. That would make Star Trek: The Next Generation a scarlet. The comic book Conan is a goldenrod, while the movie by the same name is a canary yellow.
Both of the genres are filled with millions of iterations, but when you strip away all the subtle differences, you get back to the core of the genre, the yellow and red. Then, the job is to blend those colors to make orange. It's understanding the two genres well enough to know what makes them unique and then blending those aspects together.
The five main characters are extremely different and layered. What was the biggest challenge bringing them to life?
The biggest challenge in bringing them to life is to try and constantly do justice to that depth of character you mentioned. We are all affected by our environment and so are the 5 warlocks. In order to do them justice, I must push to show the depths of the worlds that they hail from. When you’re trying to show, at minimum, five different worlds full of living beings, as well as their guardians, it is a super challenging task. You have to know these individual characters both inside and out. And when you can do that, then the real fun part kicks in. If you were from a different planet within a different solar system within a different galaxy, well you might have an entirely different response to a common occurrence/question than I would. Makes sense right? Right. But what is that response? Exactly. What IS that response? You have to know the answer to that question a million times over. And that’s just for one warlock. Now do it 4 more times! Ha! But basically you have to know seriously everything about the 5 guardians! It’s a challenge for sure!
Did the fact that a previous artist had already given them a face help or harm your creative process?
Oh, it absolutely helped! You hear it all the time as artists, ‘we needed somewhere to pull from. We need a starting point. And then we can go from there’. But lucky me, I already had a starting point, and amazing one at that. From there it was just a matter of breaking down the characters to their core, and keeping the most important stuff while playing around with the rest! The push and pull of reshaping these characters was made much, much easier with having already had such an amazing foundation to pull from!
Has it turned out as you’ve envisioned it so far?
Truthfully, it has turned out better than that. I have worked on projects before that got me certain positives but would come at the cost of certain negatives. You know how it is. And one project in particular had supremely tight deadlines. But I did it. I did the work. I even learned to get faster at interior pages. Big positive! But it turned out to be at the cost was the final art. I hated it. I still do. It doesn’t represent my skill set as an artist and it doesn’t feel like I improved at all during the production phase. And most importantly, it doesn’t look cool! So I hate that project.
But Warlock 5? Well this project is a completely different story. I feel like I am constantly learning and improving, I feel like it is easily, far and away the best storytelling I have ever put out and most importantly, it is the coolest looking interior pages I have ever made! And that’s not me bragging, I don’t do that. That’s just the results of me taking a cold, objective look at this project versus my previous ones. It’s the best storytelling I have ever created. And its the most fun I have ever had working on storytelling. It’s just way better than I ever could have hoped for! I truthfully hope this never ends!
Thanks Jeff, for giving us a sneak peek into your work and the future of Warlock 5!
Thank you so so much for talking with me! It was a blast! I hope you all love the book!
Are there any specific scenes that stand out?
Absolutely! I love action scenes, but so often the most impactful images, at least in my opinion, aren't action-oriented, but drama-oriented. I mentioned Sean Gordon Murphy earlier, and now more specifically, his work on Joe the Barbarian. In that book, the ending is so powerful, it would bring tears to your eyes. I know it did to mine. It wasn't the usual action scene capped by the shot of the death of a beloved character, for example. I won't spoil the ending, but take my word for it. Buy the book, read it, and you'll understand why I love dramatic scenes.
In Warlock 5, there is a great one. It takes place in Tanith's chambers. She's searching for something and is visited by Savashtar. They're both detectives of a sort, and they have a kinship. Nothing tawdry, more of an unspoken connection, but in this scene Cullen wrote the dialogue in such a way as to be uncharacteristically unsnarky for Savashtar, as well as uncharacteristically affectionate for Tanith. It made for a scene that needed some subtlety. So, I arranged the camera angels and the composition to try and imply that they were engaging in a verbal dance. A back-and-forth spinning waltz that grabs you and takes you along with them. The best part is they never take a physical step in any direction in that entire scene! But they do move with each other just like a dancing duo reading the flow of each other's moves.
I have to say that I'm more inspired by this script than any other I've ever worked on and its the depth that Cullen puts into it that makes scenes like this one happen. It happens to be my favorite scene so far!
The story is really diverse, ranging from fantasy settings to hi-tech scifi. How does one keep aesthetic coherence between this blend?
I think the best way to maintain coherence is to boil down the different genres to what's at their respective cores. Once you do that, the job is to remain true to them. Remain true, but blend them. I think of it in terms of colors of paint. Imagine that Sci-Fi is red. The most intense, vibrant red you've ever seen. The same is true for Fantasy, but it's yellow. Now, they seem like such different genres. Different colors. They both have bodies of works ranging from iconic movies to comics that inspired generations. Each one is a slightly different take on their original respective red and yellow. Perhaps the iconic movie Star Wars is a vermillion. That would make Star Trek: The Next Generation a scarlet. The comic book Conan is a goldenrod, while the movie by the same name is a canary yellow.
Both of the genres are filled with millions of iterations, but when you strip away all the subtle differences, you get back to the core of the genre, the yellow and red. Then, the job is to blend those colors to make orange. It's understanding the two genres well enough to know what makes them unique and then blending those aspects together.
The five main characters are extremely different and layered. What was the biggest challenge bringing them to life?
The biggest challenge in bringing them to life is to try and constantly do justice to that depth of character you mentioned. We are all affected by our environment and so are the 5 warlocks. In order to do them justice, I must push to show the depths of the worlds that they hail from. When you’re trying to show, at minimum, five different worlds full of living beings, as well as their guardians, it is a super challenging task. You have to know these individual characters both inside and out. And when you can do that, then the real fun part kicks in. If you were from a different planet within a different solar system within a different galaxy, well you might have an entirely different response to a common occurrence/question than I would. Makes sense right? Right. But what is that response? Exactly. What IS that response? You have to know the answer to that question a million times over. And that’s just for one warlock. Now do it 4 more times! Ha! But basically you have to know seriously everything about the 5 guardians! It’s a challenge for sure!
Did the fact that a previous artist had already given them a face help or harm your creative process?
Oh, it absolutely helped! You hear it all the time as artists, ‘we needed somewhere to pull from. We need a starting point. And then we can go from there’. But lucky me, I already had a starting point, and amazing one at that. From there it was just a matter of breaking down the characters to their core, and keeping the most important stuff while playing around with the rest! The push and pull of reshaping these characters was made much, much easier with having already had such an amazing foundation to pull from!
Has it turned out as you’ve envisioned it so far?
Truthfully, it has turned out better than that. I have worked on projects before that got me certain positives but would come at the cost of certain negatives. You know how it is. And one project in particular had supremely tight deadlines. But I did it. I did the work. I even learned to get faster at interior pages. Big positive! But it turned out to be at the cost was the final art. I hated it. I still do. It doesn’t represent my skill set as an artist and it doesn’t feel like I improved at all during the production phase. And most importantly, it doesn’t look cool! So I hate that project.
But Warlock 5? Well this project is a completely different story. I feel like I am constantly learning and improving, I feel like it is easily, far and away the best storytelling I have ever put out and most importantly, it is the coolest looking interior pages I have ever made! And that’s not me bragging, I don’t do that. That’s just the results of me taking a cold, objective look at this project versus my previous ones. It’s the best storytelling I have ever created. And its the most fun I have ever had working on storytelling. It’s just way better than I ever could have hoped for! I truthfully hope this never ends!
Thanks Jeff, for giving us a sneak peek into your work and the future of Warlock 5!
Thank you so so much for talking with me! It was a blast! I hope you all love the book!