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Reclaiming Norse Mythology from the Nazis by Ian Stuart Sharpe

It is one of the most iconic scenes in modern cinematic history:  Indiana Jones is in a desperate race against the Nazis, a lone hero battling against the entire German war machine to prevent an ancient artefact of immense power from falling into the wrong hands. Of...

Interview with Ian Stuart Sharpe, Author of The All Father Paradox!

Q: What made you write The All Father Paradox? Ian Stuart Sharpe: I think it was preordained. Not in a crazy way, you understand. You just learn to spot the signs, to realize that something is off-kilter. For example, in the year 793AD, according to the Anglo-Saxon...

Join the Outlanders!

ANNOUNCEMENTS Join Outland's Street Team, The Outlanders! Get sneak peeks at new releases, including fiction, games, and comics! Receive exclusive content, and be eligible to receive advance review copies of upcoming releases! If you like to help spread the word about...

THE ALL FATHER PARADOX Releases in October!

THE ALL FATHER PARADOX by Ian Stuart Sharpe Coming in October! What if an ancient god escaped his fate…and history was thrown to the wolves? Churchwarden Michaels thought it was just a run-of-the-mill crazy old man who stood in the graveyard, hellbent on studying the...

HATH NO FURY Has Hit the Shelves and E-Readers!

Mother. Warrior. Caregiver. Wife. Lover. Survivor. Trickster. Heroine. Leader.   This anthology features 21 stories and six essays about women who defy genre stereotypes. Here, it’s not the hero who acts while the heroine waits to be rescued; Hath No Fury’s women are...

Announcement: VIKINGVERSE COVER ILLUSTRATION RELEASED!

ANNOUNCEMENT Official summary of ALL FATHER PARADOX along with color cover illustration! What if an ancient god escaped his fate…and history was thrown to the wolves? Churchwarden Michaels thought it was just a run-of-the-mill crazy old man who stood in the graveyard,...

Announcement: New Comic Coming from Outland Entertainment!

ANNOUNCEMENT: Announcing Riddle of the Loremaster, an all new original comic series written by Melanie R. Meadors, with art by Nicolás Giacondino! Here is a sneak peek at some of the promo art: Riddle of the Loremaster is a comic for mature readers set in a fantasy...

Women in Dark Fantasy Have Changed by Linda Robertson

In doing a bit of research looking for a dark-fantasy-related topic for this article, I sought something that I knew at least a bit about, something I felt strongly about, and something where I could add meaningfully to the conversation. Many things were considered,...

Alethea Kontis on Imposter Syndrome

Earlier this year, I met the only student Katy Kellgren ever had. He told me he just about had to bully her into being his teacher. This amazing, multiple award-winning voice actress with hundreds of audiobooks under her belt truly didn’t believe she knew anything...

Announcements: HATH NO FURY Has Arrived in the US!

Backers of the paperback and hardcover editions of Hath No Fury will be happy to learn that the books have arrived at the printer's headquarters in Chicago! Now, they just need to be sent to our head honcho Jeremy Mohler, and then they will be sent out to backers...
LARP : living in a made up world

LARP : living in a made up world

I won’t pretend to be an expert on RPG, let alone live action role-playing or “LARPing”. However, even I can easily see why LARP is considered a descendant of games like Dungeons & Dragons. The catch? Here the players physically act out their characters’ actions. [ Awesome, right? ]

 

Fortunately, a few weeks ago I saw myself in the middle of a LARP for the first time.

I have to say I was surprised by how much I enjoyed the whole process from building the setting to fleshing out your own character.

There was so much to explore after you got the little paper with your character’s description! It didn’t just motivate me to pursue the tasks I was given, it made me want to explore the other characters involved in the game. And not only the ones I was directly connected to, but everyone that crossed my path.

For as little as an hour and a half I was someone else, living in a post-apocalyptic world – yes, you guessed it: there was a zombie threat. I wasn’t seeing my friends running around in extravagant outfits and saying the most weird things. No, on the contrary, I saw people starving, people looking for jobs that didn’t exist. I watched refugees seeking shelter afraid of being sent back to the outside where the zombies were waiting. I didn’t trust people easily. In a camp like this, inhabitants could be persuaded to work for the enemy, be it an outside emissary that says they have better military skills or even your brother who unfortunately has just brought the first zombie into the camp.

But setting all of this aside, it’s not just the story we built together during that period of time. What matters is the fact that we were putting ourselves in someone else’s shoes. On that moment, we were living in a camp, there was little to no hope for a better future and what shaped our reactions were the problems of this post-apocalyptic existence.

I’m sure that if you have taken part in a LARP before, you will identify with at least one or two things I’ve mentioned. I believe that there is much more to it and that my experience was very limited compared to the five hours even the whole day LARPs that exist out there. But for me, as a newbie in this gaming world, I found it extremely interesting to say the least and it has made me look for other LARP experiences for sure.

None of this would have been possible without the people who wrote the setting and the characters and, of course, the awesome group who played it all out and made the game as crazy and funny as it was.

 

And how about you?

Have you ever taken part in a LARP? If so what was your favorite one? And how about the worst…hmmm…I mean your least favorite?

Tell us all about it in the comments and if you’ve got pictures don’t hesitate to share them on our Pinterest board or on any of our social media platforms!
We want to see YOU in character!

 

S.G.

Warlock 5  by Christopher Helton

Warlock 5 by Christopher Helton

Warlock 5 is an interesting comic, with an apparently interesting story behind it.

Originally published by Aircel, written by Gordon Derry and drawn by Denis Beuavais, Warlock 5 is one of those comics that could probably only have been created in the 1980s. The opening scene of the first issue features a fight between knights and a sorcerer on one side, and robots that could charitably be said to be influenced by The Terminator movie on the side…taking place in a parking garage. Add into this mix a punk rock vixen leading a group of the undead, and a seeming sorceress along with a man who shape changes into a dragon and a barbarian carrying an assault rifles as other groups.

What is this wonderful thing?

There is a lot of violence in this first issue, which wasn’t unusual for indie comics of the time. One character is killed by having a broken spear handle shoved into their head. This obviously isn’t for everyone, but what makes Warlock 5 interesting is the fearlessness with which it mixes and bends genre conceptions.

Warlock 5 01-07                                      Warlock 5 01-11

I love a good interdimensional comic story, it is a favorite thing of mine probably since I first saw Steve Ditko’s art create surreal magical realms in early issues of Marvel’s Doctor Strange comics. On a level, this reminds me of that same sort of energy and excitement. The creators of Warlock 5 weren’t trying to duplicate those Doctor Strange stories, but I think that is why they succeeded…they weren’t trying to be derivative of other comics. Too often we see comic creators try to recapture lightning in a bottle and either copy themselves, or the works of others, in order to do that. However, one of the reasons why Aircel still lingers in the minds of so many comic fans is because of the fact that they did do their own thing and made their own, original, books and stories.

Part of why this comic appeals to me, I think, is because I play tabletop RPGs, and in a lot of ways the story comes across to me as someone’s RPG game. The ultraviolence. The bizarre mix of characters just thrown into a blender together. The disregard for genre purity. The story in Warlock 5 could have just as easily been someone telling about the game that they are playing in. I mean this in a good way.

I can easily see Warlock 5 brought to life as the setting of an RPG. It easily lends itself to that sort of thinking. Next time, I will talk a bit more about the world and the characters of the comic and draw some parallels to why I think that it might be a good game world to play in.

 

Christopher Helton writes about pop culture, comics and gaming at his long-running Dorkland! blog, and as a writer for the Bleeding Cool website.

Check out last weeks’ posts: Barry Blair 101 by Christopher HeltonBarry Blair: What to read first? by Christopher Helton,Barry Blair’s Samurai by Christopher Helton, Elflord: Past & Future by Christopher Helton!

 

Open Call for NPCs: Pathfinder® Roleplaying Game Compatible Villain Codex

Open Call for NPCs: Pathfinder® Roleplaying Game Compatible Villain Codex

Swords for Hire Development (Jacob W. Michaels and Mikko Kallio) is excited to announce its first project, The Villain Codex. This PDF, being done in conjunction with Outland Entertainment, will feature a series of antagonists for gamemasters to pit against their players. The NPCs will be fully fleshed out, with stat blocks, letting a GM simply drop one into an adventure when he needs a statted-up opponent or build an adventure or even campaign around.

The first Villain Codex will feature 12 opponents of CRs 3-8 for the Pathfinder Roleplaying Game. Finished villains will be 600 words, including a stat block and a description of the villain, his/her motivations, plus potential plots, lairs and minions.

Right now, we’re looking for your best ideas. Send us a pitch that describes your villain and potential plots, as well as expected build. Please include at the top the villain’s name, race (please use core races only), gender, alignment and class. Also please include what CR you think the villain should be; a range of CRs is fine at this point, and we can assign what we would like you to build him/her at if we pick your submission. Finally, remember that the villains should be setting agnostic. If they use a bar as their headquarters, feel free to name it, but don’t put it in a city in an existing campaign world.

We expect to pick six villains, though obviously if we’re bowled over, we could select more. We’ll be approaching designers to produce the other six villains, so if your pitch is good enough, it could lead to more work immediately.

How do I submit?
Please send your pitches to swordsforhire.dev@gmail.com with your submission in the file (NOT as an attachment).

How many pitches can I submit?
You can submit up to 3 pitches. If you have more good ideas, save them. There will be follow-up Villain Codexes for higher CRs coming through 2016.

If I submit, will I get published?
Unfortunately, not necessarily. We’re including 12 villains in this first Codex, so only the best selections will get published. Any pitches that are accepted become property of Swords for Hire Development, which retains sole ownership.

What books will I be able to use?
Villains will be limited to rules from the Pathfinder Roleplaying Game Core Rulebook, GameMastery Guide, Advanced Player’s Guide, Ultimate Magic, Ultimate Combat, Ultimate Equipment, Ultimate Campaign and Advanced Class Guide.

Will I get paid?
We’ll be paying a flat rate of $6 per entry that we publish, which will work out to about 1 cent per word.

Alright, I’m ready to get started! When you do you need this by?
Pitches are due by the end of the day (Eastern time) May 1. We’ll get back to you and let you know if your pitch has been accepted within a week and will need your finished villain by June 1. Payment will be received at this time.

Wait, I have more questions!
For more information stop by the Sword for Hire blog.

 

Creatures of the Outlands: Aitvaras by Nicholas Wasko

Creatures of the Outlands: Aitvaras by Nicholas Wasko

Fiery orange feathers cover the wings and tail of this ink-black, serpentine dragon. Its dark eyes dart about, and its claws fidget with nervous energy.

Aitvaras CR 2
XP 600
CN Tiny dragon (shapechanger)
Init +7; Senses darkvision 60 ft., low-light vision; Perception +8

DEFENSE
AC 16, touch 15, flat-footed 13 (+3 Dex, +1 natural, +2 size)
hp 22 (3d12+3)
Fort +4, Ref +6, Will +5
Immune paralysis, sleep; SR 13

OFFENSE
Speed 10 ft., fly 60 ft. (good)
Melee bite +4 (1d3–1)
Space 2-1/2 ft.; Reach 0 ft.
Special Attacks breath weapon (5-ft. cone, confused, Will DC 12 negates, usable every 1d4 rounds)
Spell-Like Abilities (CL 3rd; concentration +6)
At will–hold portal
3/daygreater invisibility (self only), unseen servant (within domain of fortune only)
Spells Known (CL 3rd; concentration +6)
1st (6/day)–cause fear (DC 14), silent image (DC 14), ventriloquism (DC 14)
0th (at will)–flare (DC 13), ghost sound (DC 13), mage hand, open/close, spark

STATISTICS
Str 9, Dex 17, Con 13, Int 16, Wis 14, Cha 16
Base Atk +3; CMB +4; CMD 13 (17 vs. trip)
Feats Deft Hands, Improved Initiative
Skills Appraise +9, Bluff +9, Climb +5, Disable Device +8, Fly +17, Perception +8, Sense Motive +8, Sleight of Hand +8, Stealth +17
Languages Common, Draconic, Halfling, Sylvan
SQ change shape (cat, beast shape II), domain of fortune

ECOLOGY
Environment any urban
Organization solitary or pair
Treasure standard

SPECIAL ABILITIES
Breath weapon (Su) 5-foot cone, confusion for 1d4 rounds, DC 12 negates. Creatures compelled to attack the nearest creature never target the aitvaras or creatures benefiting from its domain of fortune. An aitvaras can use this breath weapon once every 1d4 rounds. The save DC is Constitution-based.

Domain of Fortune (Su) An aitvaras can adopt a structure as its domain, blessing it with supernatural luck and hindering enemies within its walls. Creatures that live in the bonded structure receive a +2 luck bonus on all skill checks within its walls. Non-chaotic intruders suffer a –2 penalty on attack rolls, damage rolls, saves, and caster level checks to overcome spell resistance within the structure.

An aitvaras can only have one bonded domain at a time, which can be no larger than 100 squares. If the aitvaras ends its connection to a structure, it must wait 24 hours before it can adopt a new domain.

Spells An aitvaras casts spells as a 3rd-level sorcerer.

Mischievous, honorless cousins of pseudodragons, aitvaras (singular and plural) thrive in the bustling chaos of the city, where their actions often go unnoticed. An aitvaras uses the form of a stray cat to find a residence or business which it can claim as its domain. Once it adopts a home, the aitvaras works tirelessly to bring prosperity to its inhabitants, using its magic to bless residents with luck while stealing from neighbors and sabotaging competitive businesses. The residents’ new fortune is short-lived, however, for if the aitvaras’ mischief is traced back to its home, the dragon abandons its former benefactors to face the consequences of its actions while it slinks away in search of a new domain.

An aitvaras typically follows some kind of pattern when choosing homes, though these predilections vary widely between individuals. Some favor certain races or professions, while others have more unusual preferences, such as a specific number of children or musicians who play a unique instrument. Their chaotic nature makes it difficult to attract an aitvaras to one residence or predict where it will go next. Even those who successfully win an aitvaras’ favor find its blessings fickle, for the dragon often has unspoken expectations when adopting a domain, and those who violate its “terms” risk drawing the beast’s ire. As a result, even the most amicable relationship with an aitvaras is typically brief and disastrous to the hosts.

Aitvaras are territorial and never share a domain. Mated pairs fight to decide which domain will hold their eggs, though the parents forget about their young once they move to a new domain, leaving the hatchlings to fend for themselves.

A chaotic neutral arcane spellcaster of at least 7th level who has the Improved Familiar feat may select an aitvaras as a familiar.

Creatures of the Outlands: Onyare by Nicholas Wasko

Creatures of the Outlands: Onyare by Nicholas Wasko

ONYARE
Branching, jagged antlers line this ink-black salamander’s back from head to tail. Acrid fumes pour from its mouth between rows of needle-like teeth.

Onyare CR 5
XP 1,600
CE Large outsider (chaotic, demon, evil, extraplanar)
Init +6; Senses darkvision 60 ft., low-light vision; Perception +6

Defense
AC 18, touch 11, flat-footed 16 (+2 Dex, +7 natural, –1 size)
hp 51 (6d10+18)
Fort +5, Ref +7, Will +6
DR 5/cold iron or good; Immune electricity, poison; Resist acid 10, cold 10, fire 10; SR 16

Offense
Speed 30 ft., swim 30 ft.
Melee bite +10 (1d8+5), gore +10 (1d8+5 plus horn seeds)
Space 10 ft.; Reach 5 ft.
Special Attacks breath weapon (every 1d4 rounds, 15 ft. cone, 6d6 acid damage, Reflex half DC 15)
Spell-Like Abilities (CL 6th, concentration +7)
At will—greater teleport (self plus 50 lbs. of objects only), scare (DC 13)
1/day—haunting mists (Ultimate Magic, DC 13), summon (level 3, 1d3 dretches at 40%)

Statistics
Str 20, Dex 15, Con 17, Int 6, Wis 9, Cha 12
Base Atk +6; CMB +12; CMD 24 (cannot be tripped)
Feats Improved Initiative, Lunge, Power Attack
Skills Perception +10, Sense Motive +10, Stealth +11, Survival +7, Swim +19; Racial Modifiers +4 Stealth, +8 Swim
Languages Abyssal, Celestial, Draconic; telepathy 100 ft.
SQ aquatic adaptation

Ecology
Environment abyss
Organization solitary or pair
Treasure standard

Special Abilities
Aquatic Adaptation (Ex) An onyare can breathe underwater indefinitely and can freely use its breath weapon and other abilities while underwater.

Horn Seeds (Ex) When an onyare hits a creature with its gore attack, tips of its antlers break off and begin growing in the target’s body as bony, antler-like nodules. Damage caused by the horn seeds cannot be magically or naturally healed until the bony growths are removed, which requires a DC 15 Heal check and deals 3d8 points of damage to the target. For every 5 by which the Heal check exceeds the DC, reduce the damage by 1d8 (minimum 0). Outsiders with the chaotic subtype are immune to this effect. This is a disease effect. The save DC is Constitution-based.

Horn Seeds (Ex) Gore—injury; save Fort DC 15, onset 1 day, frequency 1 day, effect 1d4 Dex and 1 Con damage, cure 2 consecutive saves.

Cunning and cruel, onyares are horned demons that lurk in the lakes and tarns of abyssal swamplands. Constantly adapting to the needs of their environment, Onyares grow and shed primitive, gaunt limbs in a matter of minutes – effective for overland travel between mires, but too weak for combat. Onyares instead rely on their needle-sharp teeth and corrosive breath, but their most infamous weapon is their antlers, which break off into victims and form horn-like growths that impede movement and drain vitality. Each antler is a fast-growing shard of primordial chaos that consumes normal flesh and sprouts new branches. An onyare constantly sheds damaged or dead antlers, using the broken points to decorate its lair and mark the edges of its territory.

An onyare is between 8 and 11 feet long, weigh roughly 400 pounds, and can possess up to 5 primitive limbs at any given time. They form from mortal souls who thrived in mass hysteria, exploiting panic and tragedy for entertainment or personal gain. They delight in using their spell-like abilities to frighten intruders, giving chase as they flee in terror. They are often summoned to the Material Plane to serve as guardians for hidden lairs and vaults within the marshes, though their restless, chaotic nature often leads them to abandon their posts and stalk the wilderness for mortals to torment.

Written by Nicholas Wasko
Artwork by Zul Fadhli Kamarrudin
Edited by William Ward

The Dwarven Forge Effect – “I Think I’m Going to Need a Bigger Box (of miniatures)”

The Dwarven Forge Effect – “I Think I’m Going to Need a Bigger Box (of miniatures)”

Before I purchased my first miniature, my concept of tabletop RPG “bling” was best evidenced by my collection of gaming accessories. With a total value of $4.62, this collection consisted of four items: an 80-page college bound spiral notebook, with several pages of unfinished homework in the front; a yellow #2 pencil, with a complete set of dental imprints; and a set of polyhedral dice, minus the d12. It was with this paltry arsenal that I marched– uphill both ways, to the best of my recollection – into my earliest gaming sessions.

Perhaps this is why the sudden acquisition of 162 unpainted miniatures came as such a shock.

Finding oneself buried in an avalanche of miniatures isn’t an 1991-DUNGEONS-amp-DRAGONS-Game-in-Box-Easy-to-Master-TSR-p488136overnight phenomenon. Having traded my collection of Magic the Gathering cards – their value today, I don’t care to think about – for a box full of tattered rule books and modules, the concept of using miniatures didn’t exist for me until 1991. That was the year I purchased the Dungeons & Dragons Black Box (my first store-bought RPG). Filled with a collection of stand up paper miniatures and a full-color map, it was somewhat of a short-lived revelation. While it provided some opportunities for tactical combat, it had limited use beyond a few short sessions.

While my first encounter with miniatures was lackluster, my second was awe-inspiring. Delivered into my subconscious through a full-page advertisement in Dragon magazine, this was the first time that I had heard of Dwarven Forge (Master Maze at the time). Fortunately for me at the time, painted resin terrain wasn’t something that I could purchase, even irresponsibly (despite a generous on-and-off allowance). The advertisement faded from my memory well before I had disposable income to waste (That’s a figure of speech. It isn’t a waste, it is awesome.).

Then Dwarven Forge had their first Kickstarter campaign.

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I’ve been fortunate enough to be able to purchase two “Dream Toys” from my childhood. The first was a high-end Traxxis radio-controlled car. The second was Dwarven Forge terrain. Since I didn’t own any miniatures at the time, the second came with an (extremely) bourgeois, (embarrassingly) first-world problem… which brings me back to the sudden acquisition of 162 unpainted miniatures, and the fact that I’ll need to learn how to paint miniatures.

Since the Reaper Bones 2 Kickstarter is responsible for the sudden influx of of miniatures (that’s right, it is Reaper’s fault, not mine), I’ll be starting with advice from their website on supplies, and painting advice from someone who survived the first Bones Kickstarter. I’ll be compiling a collection of other resources, from tutorials to painting services, from the perspective of a complete beginner here as I attempt to paint, purchase, or otherwise procure a collection of miniatures for my Dwarven Forge terrain.

Creatures of the Outlands: Linnorm, Dune by Christopher Wasko

Creatures of the Outlands: Linnorm, Dune by Christopher Wasko

LINNORM, DUNE
The cracks and fissures in the mottled brown hide of this bipedal, serpentine dragon weep seemingly endless streams of sand. The air around its spade-shaped head ripples with intense heat.

Linnorm, Dune CR 12
XP 19,200
CE Gargantuan dragon
Init +4; Senses darkvision 120 ft., low-light vision, scent, true seeing; Perception +21

Defense
AC 27, touch 10, flat-footed 23 (+4 Dex, +17 natural, -4 size)
hp 161 (14d12+70); regeneration 10 (cold iron)
Fort +14, Ref +15, Will +13
Defensive Abilities freedom of movement; DR 15/cold iron; Immune curse effects, fire, mind-affecting effects, paralysis, poison, sleep; SR 23

Offense
Speed 40 ft., burrow 40 ft., fly 100 ft. (average)
Melee bite +21 (2d8+10/19-20 plus poison), 2 claws +20 (1d8+10), tail +15 (2d6+5 plus grab)
Space 20 ft.; Reach 20 ft.
Special Attacks breath weapon, constrict (tail, 2d6+15), death curse

Statistics
Str 30, Dex 19, Con 20, Int 5, Wis 18, Cha 21
Base Atk +14; CMB +28 (+32 grapple); CMD 42 (can’t be tripped)
Feats Combat Reflexes, Flyby Attack, Improved Critical (bite), Improved Vital Strike, Lightning Reflexes, Vital Strike, Weapon Focus (bite)
Skills Fly +15, Perception +21, Survival +21
Languages Aklo, Draconic, Sylvan

Ecology
Environment warm deserts
Organization solitary
Treasure triple

Special Abilities
Breath Weapon (Su) Once every 1d4 rounds, a dune linnorm can breathe a 120-foot line of superheated wind, dealing 14d8 points of fire damage to all creatures in the area (Reflex DC 22 halves). If the ground is covered in sand, the heat turns the sand in the area into long shards of glass pointed away from the linnorm. This area is affected as per the spike stones spell (Reflex DC 22, Perception DC 30 to notice), except that creatures damaged by the glass also take 1d8 points of fire damage. The glass turns brittle and collapses back into sand after 1 hour. The save DC is Constitution-based.

Death Curse (Su) When a creature slays a dune linnorm, the slayer is affected by the curse of the wastes. Curse of the Wastes: save Will DC 22; effect creature functions as being in severe heat (see the “Heat Dangers” section in Chapter 13 of the Pathfinder RPG Core Rulebook) at all times (unless the actual temperature is hotter), and cannot benefit from endure elements or other magical protection from heat. The save DC is Charisma-based.

Freedom of Movement (Ex) A dune linnorm is under the constant effect of freedom of movement, as per the spell of the same name. This effect cannot be dispelled.

Poison (Ex) Bite—injury; save Fort DC 22; frequency 1/round for 10 rounds; effect 2d6 fire damage and 1d3 Con drain; cure 2 consecutive saves. The save DC is Constitution-based.

True Seeing (Ex) A dune linnorm has constant true seeing, as per the spell of the same name.

While most linnorms inhabit the frigid mountains of the far north, the fearsome dune linnorms dwell in southern deserts, steppes, and other regions of intense heat. The massive dragons claim vast tracts of wasteland as their territories, devastating the already fragile ecosystems with their voracious appetites and aggressive dispositions. Their limited food supplies leave them smaller and weaker than their northern cousins, but many times more irritable thanks to their near-constant hunger.

While a dune linnorm’s presence frequently spells disaster for nearby tribes of humanoids, exceptionally resourceful or powerful individuals can salvage boons from the dragons’ lairs. Dune linnorms’ fey dispositions instinctively draw them to ley lines and other sites of potent natural magic hidden in the wastes, meaning their homes are often riddled with magical treasures and supernatural fonts of food and water, which allow the ravenous dragons to survive. Crafty desert-dwellers can capitalize on these resources, although they risk provoking the mighty liners, who swiftly and ruthlessly investigate any perceived violations of their privacy.

Written by Christoper Wasko
Artwork by Zul Fadhli Kamarrudin
Edited by William Ward

Press Release: Outland Entertainment Releases “Arcane Focus: Secrets of Sensory Magic” for The Pathfinder RPG

Press Release: Outland Entertainment Releases “Arcane Focus: Secrets of Sensory Magic” for The Pathfinder RPG

Press Release: Outland Entertainment Releases  Arcane Focus: Secrets of Sensory Magic  for The Pathfinder Roleplaying Game.

FOR IMMEDIATE RELEASE

SUMMARY: Outland Entertainment LLC releases Arcane Focus: Secrets of Sensory Magic, a supplement for The Pathfinder Roleplaying Game.

FEBRUARY 12, 2015, KANSAS, UNITED STATES — Outland Entertainment LLC is pleased to announce the release of Arcane Focus: Secrets of Sensory Magic, the first in a series of supplements for The Pathfinder Roleplaying Game.

Arcane Focus: Secrets of Sensory Magic is a collection of new options for the use of divination magic at the gaming table. Taking a different approach to the school of divination, it focuses on an all-new sensory school, a focused arcane school (See the “Focused Arcane School” section in Chapter 2 of the Pathfinder Roleplaying Game: Advanced Player’s Guide) that views knowledge “as bits of information acquired through one’s perception of the world, inextricably linked to the senses that absorb the information and interpret its significance.” Arcane Focus: Secrets of Sensory Magic features design work from RPG Superstar 2014 Top 16 finisher, Christopher Wasko; and, Here be Monsters design contest winner, Nicholas Wasko.

I met Chris and Nick through Freelance Forge, a discussion forum for active and prospective RPG freelancers, where the pairs propensity for winning practice contests has become a running joke.” says William Ward, Director of Games at Outland Entertainment. “I feel fortunate that the Wasko brothers were able to collaborate on our first product for The Pathfinder Roleplaying Game.

The Arcane Focus: Secrets of Sensory Magic is available in PDF from Paizo.com and DriveThruRPG.com.

For more work from Christopher Wasko and Nicholas Wasko check out our Creatures of the Outlands Series. You can see Nicholas Wasko’s winning entry for the Here be Monsters contest at A Sword for Hire.

Creatures of the Outlands: Illimulid by Nicholas Wasko

Creatures of the Outlands: Illimulid by Nicholas Wasko

ILLIMULID
An iridescent carapace covers this tiny creature, with two bulbous, three-pupiled eyes in front and a spine-like tail protruding behind. Four pairs of pincer-tipped legs fidget incessantly beneath its shell. Its entire body shimmers, as if surrounded by unstable energy.

Illimulid CR 3
XP 800
N Tiny magical beast
Init +3; Senses darkvision 60 ft., low-light vision; Perception +1

Defense
AC 18, touch 15, flat-footed 15 (+3 Dex, +3 natural, +2 size)
hp 22 (3d10+6)
Fort +5, Ref +6, Will +2
SR 16

Offense
Speed 10 ft.
Melee touch +8 (attach)
Ranged force bolt +8 (1d3)
Space 2-1/2 ft.; Reach 0 ft.
Special Attacks dweomer leap, parasitic casting
Spell-Like Abilities (CL 3rd)
Constant—detect magic

Statistics
Str 3, Dex 17, Con 14, Int 1, Wis 12, Cha 16
Base Atk +3; CMB +4 (+12 grapple when attached); CMD 10 (26 vs. trip)
Feats Skill Focus (Use Magic Device), Weapon Finesse
Skills Stealth +15, Use Magic Device +8

Ecology
Environment any urban or underground
Organization solitary, pair, or colony (3-12)
Treasure incidental

Special Abilities
Dweomer Leap (Su) An illimulid that is targeted by a spell or within a spell’s area of effect can teleport into the caster’s square as an immediate action, effectively appearing mid-leap and aimed toward the caster. This ability takes effect whether or not the spell overcomes the illimulid’s spell resistance. The illimulid can immediately make a touch attack against the spell’s caster. This ability does not provoke an attack of opportunity.

Force Bolt (Sp) As a standard action an illimulid can fire a bolt of force at any foe within 30 ft. as a ranged attack. Each bolt deals 1d3 points of force damage. An illimulid’s force bolt can be blocked by a shield spell.

Parasitic Casting (Su) An illimulid that is attached to a spellcaster at the beginning of its turn can make a special Use Magic Device check against DC 11 + caster level. If successful, the illimulid activates one of the caster’s spells, as if she had cast the spell with the illimulid as the target or the center of the effect. The activated spell is chosen randomly from the caster’s prepared spells or spells known. Harmful spells activated by this effect always fail to overcome the illimulid’s spell resistance. Spells with a range of personal affect the illimulid instead of the caster. If the Use Magic Device check exceeds the caster’s Will save by 5 or more, an additional spell is activated.

The bane of all magic users, illimulids (colloquially called “magekiller crabs”) were named for their ability to hijack magical energies. Despite their meek appearance, these seemingly harmless creatures become dangerous when they latch onto a victim and start firing spells at point blank.

Terrestrial cousins of horseshoe crabs, illimulids eat mosses, fungi, and carrion, and shelter in cramped spaces to escape predators. Females lay hundreds of eggs at a time, but must siphon energy from magical discharges to prime them for fertilization. As a result, these typically docile creatures become active in the presence of spellcasters, scrolls, wands, and other magic items, triggering spell effects in order to quicken as many eggs as possible. Their preferred habitats and aggressive pursuit of spellcasters makes infestations a major problem in magical communities.

Armies opposed by mages sometimes outfit their platoons with caged illimulids, which can use their dweomer leap to ambush long-range spellcasters and wreak havoc behind enemy lines. Some soldiers tell tales of illimulids specially bred for war, immune to certain forms of magic and bearing pincers that can rip through armor.

Written by Nicholas Wasko
Artwork by Zul Fadhli Kamarrudin
Edited by William Ward

Creatures of the Outlands: Solar Spiders by Christopher Wasko

Creatures of the Outlands: Solar Spiders by Christopher Wasko

SOLAR SPIDER
This sleek spider has a hide like a polished mirror, and eight pinpricks of light for eyes.

Solar Spider CR 4
XP 1,200
N Medium magical beast
Init +3; Senses darkvision 60 ft., low-light vision; Perception +6

Defense
AC 17, touch 13, flat-footed14 (+3 Dex, +4 natural)
hp 42 (5d10+15)
Fort +7, Ref +7, Will +3
Defensive Abilities reflective hide; Immune mind-affecting effects; Resist fire 20

Offense
Speed 30 ft., climb 30 ft.
Melee bite +7 (2d6+3 plus poison)
Special Attacks sun snare

Statistics
Str 14, Dex 17, Con 16, Int –, Wis 15, Cha 14
Base Atk +5; CMB +7; CMD 20 (32 vs. trip)
Skills Climb +19, Perception +6; Racial Modifiers +16 Climb, +4 Perception
SQ light climbing

Ecology
Environment warm desert or plains
Organization solitary, pair, or colony (3-8)
Treasure incidental

Special Abilities
Light Climbing (Su) Solar spiders use their Dexterity modifiers for their Climb skill, rather than Strength. When in areas of bright light, solar spiders can climb on imperceptible strands of light, using their climb speed as a fly speed with perfect maneuverability. The solar spider uses its Climb skill rather than its Fly skill to determine its ability to execute flying maneuvers, with no additional bonuses for maneuverability.

Poison (Ex) Bite—injury; save Fort DC 15; frequency 1/round for 6 rounds; effect 1d2 Strength damage and 1 Constitution damage; cure 1 save.

Reflective Hide (Ex) A solar spider’s polished hide is highly reflective. When a solar spider is in normal light, all creatures within 30 feet of it are dazzled. When in bright light, a solar spider’s hide becomes so bright that creatures have difficulty looking directly at it, resulting in a 20% miss chance against all attacks by sight-dependent attackers. Solar spiders are immune to spells and effects that use sunlight as a weapon, such as searing light and sunburst, and they cannot be blinded or dazzled by bright light or patterns.

Sun Snare (Su) A solar spider can throw globs of burning sunlight the way normal spiders throw webs. This ability functions like the web ability (+8 ranged, DC 15, 5 hp), except that a creature struck by a sun snare must also make a DC 15 Fortitude save or be blinded for 1d4 rounds. A creature entangled in a sun snare sheds light like a sunrod, suffers a -40 penalty on Stealth checks, and takes 1d4 points of fire damage per round it is entangled. Solar spiders can only use this ability when they are in normal or bright light.

Found in deserts, wastelands, and other regions infamous for intense sunlight, solar spiders are fully adapted to survive in sun-seared environments. Their reflective hides not only protect them from ultraviolet rays, but also turn the blinding sunlight to their advantage when hunting prey or fending off predators. Their hypersensitive legs can also grasp strands of light unnoticeable to most creatures, allowing them to climb on sunbeams and spin light into adhesive projectiles that rapidly burn those they ensnare.

Despite the spiders’ dangerous abilities and territorial natures, many desert tribes harbor great respect for the radiant creatures. Tribe elders and soothsayers depict the arachnids as servants or manifestations of solar deities, graceful and beautiful from a distance but terrible if encountered up close. Chieftans and shamans commonly wear ceremonial armor or headdresses made from solar spider hide as a status symbol.

Written by Christoper Wasko
Artwork by Zul Fadhli Kamarrudin
Edited by William Ward