Outland’s very own Ian Stuart Sharpe went Viking with what was billed as the “Vinland Invasion” of the Jorvik Viking Festival in the UK. You might not be old enough to remember the British Invasion, but you still feel its effects. The Beatles, the Rolling Stones, the...
FOR IMMEDIATE RELEASE Media Contact: Gwendolyn Nix email@example.com DARK FANTASY NOVEL ACQUIRED BY OUTLAND ENTERTAINMENT Novelist Kate Martin joins Outland Entertainment family with The Soulless KANSAS CITY, MISSOURI (MARCH 2, 2020)—A new dark epic...
Hello folks! So, coming in February, will be a campaign for our latest anthology - Where the Veil is Thin. Featuring stories from David Bowles, Seanan McGuire, Glenn Parris, Shanna Swendson, Gwendolyn N. Nix, L. Penelope, Alethea Kontis, Linda Robertson, Grey Yuen,...
Hello everybody! It took us a while, but APEX: Collected Edition is now LIVE on Kickstarter! Thank you for being patient, giving us feedback, and sticking with us while we sorted out all the details to give this the biggest chance of success as possible. We appreciate...
Hello everybody! We're well aware that we've had multiple announcements for the launch of APEX: The Collected Edition on Kickstarter and apologize for that. We were excited about getting the game back out there and we made announcements prematurely. To that end, I...
Fox & Willow, an online grim fairytale series, has been acquired by Outland Entertainment. Written by Allison Pang and illustrated by Irma ‘Aimo’ Ahmed, Fox & Willow debuted in April 2012 and has maintained a strong fanbase ever since. Following the runaway princess, Willow, and her mischievous fox spirit companion, Gideon, the overarching plot…
Hello everybody! I know that we announced the hard launch date for the Kickstarter for APEX: Collected Edition yesterday. When we announced that, we felt pretty sure we were ready to roll, but we had a significant amount of feedback on the campaign. Because of how the...
The Jötunn War Issue 02 just reached it's primary funding goal on Kickstarter! We're now at the final 20 hours of the campaign and we're hoping to raise funds for issue three! Thank you all so much for your continued support! The Jötunn War is a FOUR ISSUE graphic...
Hello everybody! A quick update on the status of the upcoming Apex Theropod: Deckbuilding Game Collected Edition Kickstarter. We had expected to launch the Kickstarter last week, but it took a little longer than we anticipated to get all the details in from the...
So, coming in February, will be a campaign for our latest anthology – Where the Veil is Thin.
Featuring stories from David Bowles, Seanan McGuire, Glenn Parris, Shanna Swendson, Gwendolyn N. Nix, L. Penelope, Alethea Kontis, Linda Robertson, Grey Yuen, Minsoo Kang, Carlos Hernandez, C.S.E Cooney, Zin E. Rocklyn, and edited by Cerece Rennie Murphy and Alana Joli Abbott! Foreward by Jim C. Hines.
Around the world, there are tales of creatures that live in mist or shadow, hidden from humans by only the slightest veil. In Where the Veil Is Thin, these creatures step into the light. Some are small and harmless. Some are bizarre mirrors of this world. Some have hidden motives, while others seek justice against humans who have wronged them.
In these pages, you will meet blood-sucking tooth fairies and gentle boo hags, souls who find new shapes after death and changelings seeking a way to fit into either world. You will cross the veil—but be careful that you remember the way back.
A quick update on the status of the upcoming Apex Theropod: Deckbuilding Game Collected Edition Kickstarter.
We had expected to launch the Kickstarter last week, but it took a little longer than we anticipated to get all the details in from the printer. We want to make sure we’re doing this absolutely right so we can deliver as soon after the campaign as possible. The only way to do this is to make sure that everything we can possibly consider in terms of cost of printing and shipping is as close to accurate as possible.
Right now, we’re expecting the remaining details from the printer to arrive early next week and depending on that info, we’ll move forward accordingly.
Our goal is to launch within the next several weeks and we’ll keep you all updated as we find out more news.
We just launched a stock art initiative on Patreon!
Outland Entertainment has provided thousands of images to publishers over the years, ranging from black/white quarter page illustration to full color covers, interior artwork, and graphic design. Over the years, Outland has also generated many, many illustrations for in-house use and we have a massive library of illustration that has never been released…until now!
If you become our patron, you will contribute every time we release new stock art! We aim to release 2 to 3 creations per week. You can select a pledge level, and you can also set a maximum number of illustrations to support each month. By doing this, you only pay what you can budget.
Stock Art releases every Monday and Friday
PLUS one full color cover image per month
Creations can be:
Characters/Figures & Creatures [close-up to full body]
Landscapes & Scenes
Items and more
About the Illustrations We will be uploading illustrations each week from the various artists that we work with.
Patron tiers give you access to a high resolution version of the art. Every single illustration uploaded will be sold as stock art in our store and on various online stores at a minimum of $6.95 (and up), offering you huge savings via this Patreon. Each image will be provided as a 300dpi image.
Other Stock Art Every illustration will be uploaded to our various stores the week after it releases through our Patreon. So you not only get big savings, but you also get first shot at each new illustration!
Commercial License You can download a commercial license for review at the following link: Stock Art License.
This license will be included in all stock art provided.
Personal Use You may use any artwork posted here for personal use (non-commercial) projects as long as you provide a credit notice (Copyright 20XX Outland Entertainment LLC) and a link to this Patreon page.
Feel free to ask us any questions you might have! In the mean time, please go check it out!
I know that things have been a bit quiet most of the last year, but things have been grinding along! We’ve been looking into ways to correct some of our past mistakes, namely, the extreme mismanagement of our crowdfunding campaigns.
We KNOW we have really screwed things up.
What we’ve been doing this past year is assessing just how badly we have screwed up and how we can go about fixing what we screwed up. Now, we’re well aware that we’ve been pretty terrible at –
communication with our backers;
managing production timelines;
and delivering our products in a timely manner.
We recognize that these have been major problems of ours. There’s no excuse, outside of terrible management on our part. And we’re taking steps to fixing these problems. You know that saying –
Admitting you have a problem is the first step in fixing the problem?
Well, that’s what we’re doing. Admitting the problem and taking steps to fix it.
To that end, we’ve partnered with a company that specializes in helping to correct mismanaged campaigns (which is a category we firmly fall into). They also manage campaigns from start to finish as well, which we’ll be taking them up on moving forward.
KickCTRL is taking over the delivery of any and all outstanding projects we’re working on. They will also be handling the projects that we will be running in the future as well. All projects we run moving forward will be COMPLETE before we run the crowdfunding campaign, and we’ll be turning over the material to KickCTRL at the start of the campaign and they will have full autonomy on the project until it delivers.
We’re really looking forward to straightening everything out. We have a plan to deliver all outstanding material in place and KickCTRL will be starting the implementation of everything shortly. We’ll be updating the various KS pages with these updates soon.
This anthology features 21 stories and six essays about women who defy genre stereotypes. Here, it’s not the hero who acts while the heroine waits to be rescued; Hath No Fury’s women are champions, not damsels in distress. Whether they are strong, bold warriors, the silent but powerful type, or the timid who muster their courage to face down terrible evil, the women of Hath No Fury will make indelible marks upon readers and leave them breathless for more. This anthology is now available wherever books are sold for both paperback and ebook!
Edited by Melanie R. Meadors, Hath No Fury includes the following:
FOREWORD – Robin Hobb INTRODUCTION – Margaret Weis RIDING EVER SOUTHWARD, IN THE COMPANY OF BEES – Seanan McGuire SHE TORE – Nisi Shawl THE SCION – S.R. Cambridge HARRIET TUBMAN – Melanie R. Meadors CASTING ON – Philippa Ballantine FOR THE LOVE OF ETTA CANDY: ON THE IMPORTANCE OF THE FEMALE FRIEND – Shanna Germain SOME ENCHANTED EVENING – Anton Strout BURNING – Elaine Cunningham IT AIN’T BAD TO GET MAD: THE ANGRY HEROINES OF SF/F – Sarah Kuhn A DANCE WITH DEATH – Marc Turner ADA LOVELACE – Melanie R. Meadors PAX EGYPTICA – Dana Cameron A WASTELAND OF MY GOD’S OWN MAKING – Bradley P. Beaulieu ECHOES OF STONE – Elizabeth Vaughan ANGER IS A FRiEND TO LOVE – Diana M. Pho THE MARK OF A MOUNTAIN POPPY — Erin M. Evans SNAKESKIN: A MUTANT FILES STORY – William C. Dietz A SEED PLANTED – Carina Bissett THE BOOK OF ROWE – Carol Berg CHING SHIH – Melanie R. Meadors SHE KEEPS CRAWLING BACK – Delilah S. Dawson A HERO OF GRÜNJORD – Lucy A. Snyder THE UNLIKELY TURNCOAT: A GENRENAUTS SHORT STORY – Michael R. Underwood CRAFT – Lian Hearn RECONCILING MEMORY – Gail Z. Martin THIS iS NOT ANOTHER “WHY REPRESENTATION IS IMPORTANT” ESSAY – Monica Valentinelli TRENCH WITCH – M.L. Brennan LAST OF THE RED RIDERS – Django Wexler CHRISTINE JORGENSEN – Melanie R. Meadors RISE OF THE BONECRUSHERS – Eloise J. Knapp
When we announced last year (2017) that we were making changes to Ragnarok Publications, the intent was to maintain Ragnarok as an imprint of Outland Entertainment. But as we started to move forward, it became more and more obvious that there was just too much negative press associated with Ragnarok. None of which really had anything to do with the current team behind the company as it stands.
So, rather than try to continue publishing with one arm tied behind our back, we’ve made the decision to absorb Ragnarok into Outland. It also helps to bring everything under one banner in terms of management and production.
We’ll be maintaining these titles from the Ragnarok catalog –
Blackguards: Tales of Assassins, Mercenaries, and Rogues;
Genius Loci: Tales of the Spirit of Place;
Hath No Fury: Tales of Strong Women;
Kaiju Rising: Age of Monsters;
Mech: Age of Steel;
We’ll also be maintaining our distribution relationship with Independent Publishers Group (IPG). We love working with them and they have been more than supportive with all the changes we’ve made.
Moving forward, we’ll be taking on projects that we intend to develop into trans-media IP (intellectual property). Meaning, before we take on a project, we’ll be looking at how we can develop it into fiction, comics, and games, or some combination of those three items. It’s a slightly different approach than Ragnarok had previously, but we have a pretty extensive background not only developing fiction (whether it’s anthologies, novels, or novellas), but developing comics and game projects through our creative services as well.
We also have a deep and abiding love for all things fiction, comics, and games!
So as 2018 progresses, we should have some fun announcements to make about the projects that are currently in development. Keep an ear to the ground and if you haven’t already, be sure to sign up for our newsletter at the bottom of this page!
We’re excited to feature Jimmy Z. Johnston, writer for the Kickstarter-funded revival of Warlock 5!
What was your first contact with Warlock 5?
I picked them up new off the shelf in the late 80s. I remember seeing the cover to issue one and thinking it was the most amazing thing I had ever seen.
Why did it capture you?
100% the cover. I bought it because that cover was one of the most incredible I had seen. Issues 2-6 had fully painted covers featuring the face of each Warlock. And they stand the test of time today as being some of the most striking covers of their time.
Did you have a favorite issue?
In many ways, the first issue holds that honor. It did such a wonderful job introducing the world.
How about a beloved character? I have a ton of art I did through high school, and there is one montage I have of dozens of characters I loved from various works. Argon is in that montage, if I find it I will share it.
Did these change once you picked the books up to work on the project?
When I read them years ago, I never thought about the idea of where their story might go if I was writing it. It was a few years later that I began thinking about these things in earnest. But rereading the original series now is a tough thing to do. Because it is very much a product of the time. Storytelling was different back then. In issue 3 (I think) Zania sets off a nuke in Grid City. In issue 4 they don’t even acknowledge it. There is no way a writer could do something like that today, the fans would be all over it. They did resolve that eventually in the trade, but if you only get the issues you don’t see the resolution.
As for characters, when we started writing the series, I spent a lot of my time working on the new character Lycia, so my view of the original characters didn’t change much at all.
The original work must have cast a heavy weight, but what other influences did you have?
Clive Barker is my biggest influence. He tells stories in ways that no other writer I have ever read can compare to. I do find it interesting, having read comics spanning all eras, how storytelling in comics has changed. I worked on Micronauts with Cullen Bunn, a series that originated with Marvel in the 70s. I have talked to fans who wish we were writing stories like the ones Marvel did. But the reality is that nobody could write like that today. Readers wouldn’t be interested in it. There are many readers who seek out the older stories like that, but the nostalgia factor lets them be read without worrying about the storytelling. Neil Gaiman’s Sandman series is one that stands the test of time. He did such a fantastic job telling the stories he told, that they will always be relevant examples of how to tell a story.
The writing process is a collaboration between you and Cullen Bunn. How is it to collaborate with other artists? Is there too much compromise?
In spite of what Cullen says, we work really well together.
But seriously, we sit down and talk out the idea. Then we write up a page by page outline. Sometimes that could be one line “FIGHT” or it could be a paragraph with dialogue we want to make sure we use. Through this process we make sure we don’t have too many scenes we are trying to fit in. In this case it was a 60 page script, so when we finished the outline, we talked about scenes we “wanted.” Cullen really wanted the Savashtar investigating scene, so we blocked that out for him. After we do that it is usually pretty close to an even split on the workload.
When we finish our parts, I combine it into one unified script and we both go over it. This part is fun because we get to revel in the genius of our parts and rewrite the stuff the other guy did. I joke about it. Usually it involves tweaking a few things here and there, but not too terribly much.
This is not the only project you two have partnered up for. Why did you start working together?
I met Cullen in 2003. He met me in 2004. There is a story there, but this isn’t the day for that. We were both at a horror convention for writers in New York (in 2004). Found out we lived very close to each other and when we got home started talking and hanging out more. He was working on writing prose, and I had discovered an innate talent for editing. I did an edit for him on a story and he really liked what I did. That was the start of working together.
Are there any specific scenes or narrative developments you want to include in this continuation of the 80’s comic?
We are looking at this as a continuation of the series. 30 years later, these 5 are still defending reality from threats. They have changed, but the dynamics amongst them are still pretty consistent. Zania and Argon are the “bad” pair, while Tanith and Savashtar are the “good” pair, leaving Doomidor in the middle as the balance between them.
The only thing I really pushed for was doing a cover based on the original issue 1. We are technically working on the fourth run of the series. The second run was a short mini series that did a new version of the issue one cover. The third run did not, but it deviated massively from the original concept. I am glad that we got to use a version of the original cover. Jeffrey Edwards did an amazing job on it, and on every page that will be between the covers.
The five main characters are extremely different and layered. What was the biggest challenge bringing them to life?
Anytime you have an ensemble cast it takes time to develop the individuals. It is much easier to write a story with Superman, Batman, and Wonder Woman because you don’t need to establish who they are. You see the S, the Bat cowl, the lariat, and you instantly know who they are.
We have 5 main characters we are essentially introducing to readers. Along with a handful of new characters to the series. That takes time to develop. Being able to do a 60 page issue helps massively with the character development aspect.
Is it turning out the way you’ve envisioned it?
I am still pretty fresh in the comic world, so I am loving the process. Seeing thumbnails come in, then pencils, then inks, then colors. . . Seeing my words and scenes turned into comic pages is amazing. It is so much better than I envisioned it. I love it.
In these shaken times do you try to embed your work with some subliminal criticism or do you keep it detached from the outside world?
Oh, I am constantly putting Easter Eggs into things. Many of which go unnoticed. Cullen is always telling me not to worry about things like that because no one will notice. The secret is, I am putting them in for me. I am ok if no one else ever notices!
I am guessing though that your question is leaning more towards the current political and social climate in our country. And that is something I try and avoid. I don’t need to make enemies right now as I get started in writing. Many writers and artists are taking positions publicly about their support or lack of support for our current administration. I will leave that to them for now.
Anything you can tell us without giving out major spoilers?
We start out seeing the Warlock 5 fighting against an incursion into Grid City, but we will be showing them in their own worlds. And a portion of this first volume is going to take place on a new world in crisis. This will be creating a dilemma for them as they have to choose between helping an individual world or pulling back to Grid City and simply protecting the Grid. It goes towards the question of what are you protecting. It is all good standing guard over a forest and making sure it doesn’t succumb to a forest fire, but when you let a lumberjack in to cut down a tree. . . well, it sucks if you are that tree.
Thanks Jimmy for opening up about the future of Warlock 5!
About WARLOCK 5 KICKSTARTER
Five guardians protect the multiverse against the chaos that lurks outside the boundaries of reality. There’s only one problem: they hate each other.
“The Grid. A mystical nexus, a crossroads connecting all times, all realities. Along the ley lines of the Grid, the multiverse clusters. To move along the Grid is to move from one reality to the next. To harness the power of the Grid is to harness the awesome might of creation.Five touchstone realities exist at focal points along the Grid. From each of these realities, a Warlock is chosen to act as one of five Guardians. Savasthar, a shapeshifting dragon-like being. Doomidor, a warlord from the Dark Ages.Argon, an advanced cybernetic organism from a techno-hell. Tanith, an ageless sorceress. Zania, a power-mad, machine gun necromancer. Together, the Warlocks protect the Grid, thereby protecting all of space and time. They are the last line of defense against the awful forces of chaos that lurk in the darkness outside the Grid.There’s only one problem.They hate each other.” Originally created by Gordon Derry and Denis Beauvais, Warlock 5 was published by Barry Blair, a Canadian comic book publisher, artist and writer, known for launching Aircel Comics in the 1980s. A fierce advocate for innovation in the themes, genres, and types of illustrations, Blair helped to bring titles to life that broke the narrative and graphic boundaries at the time — including Warlock 5. The new Warlock 5 Kickstarter funded this continuation of the Aircel Comics classic fantasy masterpiece. This 2017 reboot is written by CULLEN BUNN and JIMMY JOHNSTON, illustrated by JEFFREY EDWARDS with colors by ANDY POOLE, letters by ED DUKESHIRE, and designs by EDWARD LAVALLEE and SHAWN T. KING. This saga of rivalry, betrayal, magic, dragons, and killer robots is aiming for a 60-page full-color (hard cover) original graphic novel.
CEO/artist Jeremy Mohler and Design Director/writer Ed Lavallee are going to be at Booth #628 the whole weekend [May 20-22].
Get ready for three days of personalized sketches, signings and one daily giveaway exclusive for PCC attendees PLUS another online giveaway opened worldwide. That’s a lot of opportunities to win O.E. goodies!
Want to know what you can find at #OE’s booth?
– Blacklands #1;
– Elflord #1;
– Aegisteel #1;
– Pop Star Assassin #1-2;
– Bleedback #1-2;
– Evolution Cop #1-3;
– Stories of Survival and Revenge (Inuit Folklore);
– Jeremy’s Art Book.
An array of original art, prints and sketch covers. Don’t hesitate to ask for a signed copy or for a live sketch while you’re there!
Do you remember Pop Star Assassin? Ed Lavallee has just tup the volume of the campaign: if you back the PSA Kickstarter campaign at the $10+ level from May 20 to 22 you’ll receive a free comic from the Outland Entertainment lineup.
Besides, allBackersattendingthePlanet Comicon can also stop by the booth for a FREE Pop Star Assassin print while supplies last.
It’s going to be a great weekend! See you at Planet Comicon!
2) If you’re one of the lucky peeps attendingPlanet Comicon you have an exclusive chance!
Tweet your #selfie at the OE’s booth [#628] with the sketchcover you want to win! Use #OE & #planetcomicon / #PCC to enter the giveaway. The winner will be randomly picked using Random-ize and announced here on the Outland Entertainment website and on our Social Media outlets.