NEW

Outland Entertainment Partners with KickCTRL

Hello folks! I know that things have been a bit quiet most of the last year, but things have been grinding along! We've been looking into ways to correct some of our past mistakes, namely, the extreme mismanagement of our crowdfunding campaigns. We KNOW we have really...

Apex Theropod Collected Edition Kickstarter

Hello everybody! We just wanted to share the news that the Apex Theropod: Deck Building Game will be launching on Kickstarter next TUESDAY. Right now, we're planning to call this the "Collected Edition." This version of the game includes a new box with all new box...

Ian Stuart Sharpe on the Jotunn War Cover Process

One of the ideas that fascinates me most as an author are the symbols we use throughout history. For example, the cover of the latest issue of the Jötunn War is a pastiche of a well known WWI poster. We have subverted the Army Air Service American Eagle and added in a...

The Santa Myth…

...And Why Pit Such a Cheery Legend Against the Horror of Zombies? by John Mayer Although this very question sounds paradoxical, the horror genre has always been at its best when it injects the shocking, the gruesome, the profane, the unknown, the ugly with the...

Storytime with Ian: Who are the Jötnar?

“In the beginning God created the heaven and the earth”. See, that’s where the Christianity has it all wrong. All good Vikings knew the real story of how it all really began. The same way it will all end. With giants. Ginnungagap was the great emptiness before there...

Santa VS Zombies Press Release

FOR IMMEDIATE RELEASE Media Contact: Gwendolyn Nix gwen@outlandentertainment.com SANTA VS ZOMBIES, ORIGINAL GRAPHIC NOVEL, LAUNCHES ON KICKSTARTER  Adventurous world full of Christmas cheer and gore to launch April 9, 2019   TOPEKA, KANSAS (April 11, 2019)—A new...

NEW COMIC, ORC GIRL & GOBBO, RELEASES FROM OUTLAND ENTERTAINMENT

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Planet Comicon 2019 Booth #1925

Hello folks! As we do every year, we'll be out at our hometown show, Planet Comicon. We'll have a variety of books, games, comics, and artwork on the table for you to check out! We'll be at booth #1925. This year, special guest Chris Yarbrough will be joining us for...

NEW VIKINGVERSE GRAPHIC NOVEL, THE JÖTUNN WAR, LAUNCHES ON KICKSTARTER

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Reclaiming Norse Mythology from the Nazis by Ian Stuart Sharpe

It is one of the most iconic scenes in modern cinematic history:  Indiana Jones is in a desperate race against the Nazis, a lone hero battling against the entire German war machine to prevent an ancient artefact of immense power from falling into the wrong hands. Of...
Ian Stuart Sharpe on the Jotunn War Cover Process

Ian Stuart Sharpe on the Jotunn War Cover Process

One of the ideas that fascinates me most as an author are the symbols we use throughout history.

For example, the cover of the latest issue of the Jötunn War is a pastiche of a well known WWI poster. We have subverted the Army Air Service American Eagle and added in a raven, very much a Norse symbol.

Because the whole premise of the Vikingverse is that the Norse never Christianised – and in my alternate history, even conquered Rome – it is the Raven banner and not the eagle that flutters proudly across the Norse Empire. Same idea, different reality!

You might wonder why artists and propagandists were so keen on the eagles in the first place….

The bald eagle was chosen June 20, 1782 as the emblem of the United States of America, because of its long life, great strength and majestic looks, and also because it was then believed to exist only on the American continent. But the eagle as a heraldic device goes further back. The Reichsadler (German “Imperial Eagle”, also featured in the original) is derived from the Roman eagle standard, used by the Holy Roman Emperors and in modern coats of arms of Germany, including those of the Second German Empire (1871–1918) and the Third Reich (Nazi Germany, 1933–1945).

It was meant to embody the reference to the Roman tradition similar to the double-headed eagle used by the Palaiologi emperors of the Byzantine Empire or the tsars of Russia. It’s all about power and legitimacy.

But we all know history is rewritten by the victors, and in my setting that means Vikings! So, go and tell people to buy up War Bonds/make a Kickstarter pledge.

The Empire needs YOU!

Ian Stuart Sharpe

The Santa Myth…

The Santa Myth…

…And Why Pit Such a Cheery Legend Against the Horror of Zombies?
by John Mayer

Although this very question sounds paradoxical, the horror genre has always been at its best when it injects the shocking, the gruesome, the profane, the unknown, the ugly with the everyday lives of people and when it pits horror against cultural homeostasis. This conflict creates tension in a story and of course anyone who has taken a college creative writing course 101 has been taught that conflict moves a storyline. Frankenstein befriends a little girl, he admires a gentle flower; Dracula enters the peaceful and safe bedroom of sleeping damsels, and Satan started out as an angel and the favorite of God. And, every Stephen King piece starts with some idyllic setting, beautifully detailed before all hell breaks loose.

So, as long as we have had horror stories they have frightened us with evil entering into everyday life. Current horror fads, such as the slasher movies, echo this age-old formula. The happy, good-looking, care-free teenage culture is preyed upon by an evil maniac. Popular horror films of the last two years such as Get Out and Us, by Jordan Peele are set in pleasant everyday life, then the horror comes. The winning formula for fundamental scariness. Peele builds the atmosphere of ‘living the good life’ in both films then, BAM! It all goes horrifically bad. Many theologians posit that this is the most frightening horror of all, when the evil doer has no clear reason why they are choosing these people are their victims.

Recently, the Zombie genre has taken up subjects such as gentile setting of Pride and Prejudice (The film: Pride and Prejudice vs The Zombies) and the iconic Abraham Lincoln (vs Zombies), daring to pit zombies against cultural icons. Santa vs Zombies takes these recent treatments even further into our cultural ethos and challenges us to consider Santa at war with Zombies. Think about it, in our story we have Santa Claus, possibly the one purely joyful (jolly) tradition that is untouchably good and never associated with evil. Even God has enemies, has vengeance, inflicts his wrath on sinners, but Santa is pure joy and giving and kindness. In our story our Santa is all that, but he starts out tired because of the conditions in the world and the disbelief in him that is widespread. Like a Jordan Peele set-up, Santa innocently prepares for ‘one last ride’ on this Christmas night to spread joy and good cheer as always. But, when he arrives at his first stop he plops right into an apocalypse!

With only a limited time left, join the cheerful fray and support Santa Vs. Zombies on Kickstarter here!

***

ABOUT SANTA VS ZOMBIES

Meet Santa. He’s having a mid-life crisis. He hates his job and wishes he was doing anything else other than being Santa. He’s just going through the motions and that’s why he doesn’t notice the zombie apocalypse until it’s almost two late. Saved by two kids, he at first tries to get back to the North Pole only to discover that his reindeer have been eaten. On the run and just trying to survive, Santa befriends the kids and falls in love with their recently-divorced mother. Soon Santa rediscovers his Christmas spirit and does everything he can to save Christmas for the kids—even if it means his own death.

ABOUT JOHN MAYER

 John Mayer is a well-published author both in fiction and non-fiction with three previous novels, two screenplays and a performed stage play. With over twenty non-fiction books published. His latest, Family Fit: Find Your Balance in Life, which was published by Healthy Learning, one of the world’s foremost publishers of instructional materials for health/wellness, fitness, exercise, sports medicine, and camp professionals.

Mayer’s day job as a clinical psychologist specializing in violent behavior has him consulting to law enforcement regularly. His 10,000 Twitter followers (@DrJohnMayer) (@jemayerbooks) look to his daily tweets for advice on psychological issues. He is an associate staff psychologist for Doctor on Demand (doctorondemand.com ) as well as a provider (Telemedicine) on DoctoronDemand.

Mayer is also a writer for a cable TV series, The System, that is currently in production with the pilot episode completed.

ABOUT KOJI STEVEN SAKAI

Koji Steven Sakai is the founder of Little Nalu Pictures LLC and the CEO of CHOPSO (www.CHOPSO.com), the first Asian English streaming video service. He has written five feature films that have been produced, including the indie hit, The People I’ve Slept With. He also produced three feature films, a one-hour comedy special currently on Netflix, and Comedy InvAsian, a live and filmed series featuring the nation’s top Asian American comedians. Koji’s debut novel, Romeo & Juliet Vs. Zombies, was released in paperback in 2015 and in audiobook in 2016; his graphic novel, 442, came out in 2017. In addition, he is currently an adjunct professor in screenwriting at International Technological University in San Jose.

Storytime with Ian: Who are the Jötnar?

Storytime with Ian: Who are the Jötnar?

“In the beginning God created the heaven and the earth”.

See, that’s where the Christianity has it all wrong. All good Vikings knew the real story of how it all really began. The same way it will all end.

With giants.

Ginnungagap was the great emptiness before there was the world, flanked by two inhospitable realms. There was Muspelheim, crossed by endless rivers of boiling poison and vast lakes of fire; and Niflheim, where icy volcanoes spewed forth frozen mists and arctic waters. Sparks and smoke met layers of rime and frost in the yawning void and from them came the first being.

A Jötunn, Ymir, appeared in the melting ice. From his sweat, the first Jötnar were born. Ymir fed on the milk of the primeval cow Auðumbla, also born of the meltwater. She licked the blocks of salty ice, releasing Búri, who was large, powerful, and beautiful to behold.

In time, Búri’s son Borr had three sons: the gods Óðinn, Vili, and Vé. The three sons of Borr had no use for Ymir and his growing family of cruel and brutish giants, so they attacked and killed him. So much blood flowed from the body that it drowned all the other giants except for two—Bergelmir and his wife escaped. They stole away in a hollowed-out tree trunk, a makeshift boat floating on the sea of gore to safety, to a land they named Jötunheim, home of the giants.

From Ymir’s body, the brothers made the world of humans: his blood, the seas and lakes, his flesh, the earth, his bones, the mountains and his teeth the rocks. From his skull, they made the dome of the sky, setting a dwarf at each of the four corners to hold it high above the earth. They protected the world from the Jötnar with a wall made from Ymir’s eyebrows. Next, they caused time to exist and placed the orbs of the sun and moon in chariots which were to circle around the sky.

Finally, the three brothers built their own realm. Ásgarð, a mighty stronghold, with green plains and shining palaces high over Miðgarð. They built the rainbow bridge Bifröst to link the realms. The Æsir, the guardians of men, crossed over the bridge and settled in Ásgarð.

There the gods would dwell, ever vigilant, until Ragnarok, the long-heralded last battle, where the monstrous Jötnar set about destroying the entire cosmos. Fenrir, the great wolf, consumes the world so swiftly that even the sun is dragged from its zenith and into the beast’s stomach.

The Jötnar have a pivotal role in Norse mythology. To the men of the North, the Jötnar had the power of oncoming storms, roaring volcanoes, and the clamorous oceans – in some sense, they were the personification of the merciless and indifferent power of Nature. They were the sires of the gods, their spouses and lovers, their constant foes and their inevitable doom.

And while the Jötnar are described as a race of beings distinct from the gods – as well as other creatures such as humans, elves, and dwarves – they are somewhat ambiguously described, both in their physique and their character. Some jötnar, such as Skrymir (who is known also as Útgarða-Loki), are depicted as being of an immense size, thus giving rise to the translation of the word ‘jötunn’ into English as ‘giant’.

Some jötnar, such as Skaði, were said to be extremely beautiful – in the Poetic Edda poem Grímnismál, Odin mentions the “ancient courts” of Þrymheimr, noting that the jötunn Þjazi once lived there, and that now his daughter Skaði does. Odin refers to Skaði as “the shining bride of the gods” and in some tales, the pair go on to marry and give birth to nations of kings. Some scholars go so far as to suggest that Scandinavia may be related to the name Skaði (potentially meaning ‘Skaði’s island’).

Other Jötnar were hideous. It is told in Snorri Sturluson’s Gylfaginning that at Baldr’s funeral his wife Nanna died of grief and was placed alongside him on his pyre. Hringhorni, Baldr’s ship, was the largest of all such vessels and was to serve as the god’s funeral ship. No one, however, could seem to launch the boat out to sea. The gods then enlisted the help of Hyrrokkin, who came from Jötunheimr, arriving on a giant wolf with vipers as reins. When she dismounted, Odin summoned four berserks to look after the animal but they were unable to control it without first rendering it unconscious. With her seismic strength, the giantess rolled the boat into the water.

In the Vikingverse, these stories and characters are more than just ancient myth. In the way that the Bible forms the daily bread of many devout Christians, the Jötnar are part of the fabric of society and its belief system.

Let me give you an example:

We were all recently horrified by the fire at Notre Dame. Social media was full of people’s personal memories, their own connection with the great stone cathedral and all and relics. We felt all felt a sense of profound loss.

All of a sudden, the Gargoyles on the roof were suddenly leering out of memory, all across the internet. Not bad for a beast used by the Catholic Church to illustrate evil.

French legend tells of St. Romanus, bishop of Rouen, who delivered the country from a monster called Gargouille. La Gargouille is said to have been the typical dragon with bat-like wings, a long neck, and the ability to breathe fire from its mouth. Multiple versions of the story are given, either that St. Romanus subdued the creature with a crucifix, or he captured the creature with the help of the only volunteer, a condemned man. In each, the monster is led back to Rouen and burned, but its head and neck would not burn due to being tempered by its own fire breath. The head was then mounted on the walls of the newly built church to scare off evil spirits and used for protection.

The parallels with the Jötnar are clear. Primeval, indefatigable titans who tread heavily in our nightmares, the bane of Christianity.  Demons to be defeated and cast into the Abyss. Trophies to be mounted on the wall of our proud monuments.

Now imagine a world were Christianity had been put to the Viking sword, where there was no Mother Church left to determine who was a saint and who was a sinner, no Catholic priests to stem the pagan tide and contain the wild, untrammelled beliefs of the Northerners. Forget Armageddon, Hellfire and the Antichrist. The world doesn’t end with a bang, or a whimper. It ends with a horde of unstoppable Jötnar.

If you want a truly terrifying End of Days, embrace your inner Viking and help Kickstart the Jötunn War.

###

ABOUT VIKINGVERSE

The Vikingverse is the alternate universe that results when Odin escapes his doom at Ragnarok; a parallel timeline where Vikings rule seas and stars and the storied heroes of mankind emerge in new and brutal guises drawn from the sagas. Hang on tightly, ’cause the Free World just got thrown to the wolves and the meek shan’t inherit this Earth.

ABOUT IAN STUART SHARPE

Ian Stuart Sharpe was born in London, UK, and now lives in British Columbia, Canada. Having worked for the BBC, IMG, Atari and Electronic Arts, he is now CEO of a tech start up. As a child he discovered his love of books, sci-fi and sagas: devouring the works of Douglas Adams, J.R.R. Tolkien, Terry Pratchett, and George MacDonald Fraser alongside Snorri Sturluson and Sigvat the Skald. He once won a prize at school for Outstanding Progress and chose a dictionary as his reward, secretly wishing it had been an Old Norse phrasebook. The All Father Paradox is his first novel.

The Santa Myth…

Santa VS Zombies Press Release

FOR IMMEDIATE RELEASE

Media Contact: Gwendolyn Nix

gwen@outlandentertainment.com

SANTA VS ZOMBIES, ORIGINAL GRAPHIC NOVEL, LAUNCHES ON KICKSTARTER

 Adventurous world full of Christmas cheer and gore to launch April 9, 2019

 

TOPEKA, KANSAS (April 11, 2019)—A new graphic novel from Koji Steven Sakai and John Mayer called Santa VS Zombies launched on Kickstarter on April 9, 2019. This sixty-page graphic novel follows a burned-out Santa Claus who reluctantly embarks on his last chimney crawl only to find his world turned upside down by a zombie apocalypse. With the help of a crew of children and a single mother, Santa rediscovers his Christmas spirit while saving the world.

“Santa VS Zombies combines two of my favorite things…Santa and zombies,” explained co-creator Koji Steven Sakai. “If every day was a zombie Christmas I’d be happy.” Sakai’s love for zombies is evident in his prose fiction, including his debut novel Romeo & Juliet Vs. Zombies. Sakai is a comics veteran, and his graphic novel, 442, which follows an entirely Japanese-American regiment during World War II, was released in 2017.

“I was always the rebel as a kid, so I never pictured Santa as all cuddly, warm, and fuzzy,” said co-creator John Mayer, who has previously written novels and nonfiction. “I knew there was a guy under there who could kick some ass—I mean, he lived all those centuries—that had to take some BAD…This is my Santa!”

The Kickstarter will support printing of the graphic novel. Other stretch goals, when met, will increase the quality of the book from cover gloss finish to French fold covers and as well as hardcover editions. The Kickstarter can be supported at https://www.kickstarter.com/projects/327474418/santa-vs-zombies

###

ABOUT SANTA VS ZOMBIES

Meet Santa. He’s having a mid-life crisis. He hates his job and wishes he was doing anything else other than being Santa. He’s just going through the motions and that’s why he doesn’t notice the zombie apocalypse until it’s almost two late. Saved by two kids, he at first tries to get back to the North Pole only to discover that his reindeer have been eaten. On the run and just trying to survive, Santa befriends the kids and falls in love with their recently-divorced mother. Soon Santa rediscovers his Christmas spirit and does everything he can to save Christmas for the kids—even if it means his own death.

ABOUT KOJI STEVEN SAKAI

Koji Steven Sakai is the founder of Little Nalu Pictures LLC and the CEO of CHOPSO (www.CHOPSO.com), the first Asian English streaming video service. He has written five feature films that have been produced, including the indie hit, The People I’ve Slept With. He also produced three feature films, a one-hour comedy special currently on Netflix, and Comedy InvAsian, a live and filmed series featuring the nation’s top Asian American comedians. Koji’s debut novel, Romeo & Juliet Vs. Zombies, was released in paperback in 2015 and in audiobook in 2016; his graphic novel, 442, came out in 2017. In addition, he is currently an adjunct professor in screenwriting at International Technological University in San Jose.

ABOUT JOHN MAYER

 John Mayer is a well-published author both in fiction and non-fiction with three previous novels, two screenplays and a performed stage play. With over twenty non-fiction books published. His latest, Family Fit: Find Your Balance in Life, which was published by Healthy Learning, one of the world’s foremost publishers of instructional materials for health/wellness, fitness, exercise, sports medicine, and camp professionals.

Mayer’s day job as a clinical psychologist specializing in violent behavior has him consulting to law enforcement regularly. His 10,000 Twitter followers (@DrJohnMayer) (@jemayerbooks) look to his daily tweets for advice on psychological issues. He is an associate staff psychologist for Doctor on Demand (doctorondemand.com ) as well as a provider (Telemedicine) on DoctoronDemand.

Mayer is also a writer for a cable TV series, The System, that is currently in production with the pilot episode completed.

ABOUT OUTLAND ENTERTAINMENT

Outland Entertainment was founded as a creative services company in 2008 by Jeremy Mohler. Since then, Outland has worked for a wide variety of clients across the world. Outland specializes in assembling creative teams and managing projects. Contact them via their site form or go to www.outlandentertainment.com. For more information, contact Jeremy Mohler at jeremy@outlandentertainment.com.

 

Warlock 5 Interview: Jimmy Z. Johnston

Warlock 5 Interview: Jimmy Z. Johnston

Interview with Warlock 5 Writer Jimmy Z. Johnston

We’re excited to feature Jimmy Z. Johnston, writer for the Kickstarter-funded revival of Warlock 5!

What was your first contact with Warlock 5?

I picked them up new off the shelf in the late 80s. I remember seeing the cover to issue one and thinking it was the most amazing thing I had ever seen.

Why did it capture you?

100% the cover. I bought it because that cover was one of the most incredible I had seen. Issues 2-6 had fully painted covers featuring the face of each Warlock. And they stand the test of time today as being some of the most striking covers of their time.

Did you have a favorite issue?

In many ways, the first issue holds that honor. It did such a wonderful job introducing the world.

How about a beloved character?
 
I have a ton of art I did through high school, and there is one montage I have of dozens of characters I loved from various works. Argon is in that montage, if I find it I will share it.

Did these change once you picked the books up to work on the project?

When I read them years ago, I never thought about the idea of where their story might go if I was writing it. It was a few years later that I began thinking about these things in earnest. But rereading the original series now is a tough thing to do. Because it is very much a product of the time. Storytelling was different back then. In issue 3 (I think) Zania sets off a nuke in Grid City. In issue 4 they don’t even acknowledge it. There is no way a writer could do something like that today, the fans would be all over it. They did resolve that eventually in the trade, but if you only get the issues you don’t see the resolution.

As for characters, when we started writing the series, I spent a lot of my time working on the new character Lycia, so my view of the original characters didn’t change much at all.

The original work must have cast a heavy weight, but what other influences did you have?

Clive Barker is my biggest influence. He tells stories in ways that no other writer I have ever read can compare to. I do find it interesting, having read comics spanning all eras, how storytelling in comics has changed. I worked on Micronauts with Cullen Bunn, a series that originated with Marvel in the 70s. I have talked to fans who wish we were writing stories like the ones Marvel did. But the reality is that nobody could write like that today. Readers wouldn’t be interested in it. There are many readers who seek out the older stories like that, but the nostalgia factor lets them be read without worrying about the storytelling. Neil Gaiman’s Sandman series is one that stands the test of time. He did such a fantastic job telling the stories he told, that they will always be relevant examples of how to tell a story.

The writing process is a collaboration between you and Cullen Bunn. How is it to collaborate with other artists? Is there too much compromise?

In spite of what Cullen says, we work really well together.

But seriously, we sit down and talk out the idea. Then we write up a page by page outline. Sometimes that could be one line “FIGHT” or it could be a paragraph with dialogue we want to make sure we use. Through this process we make sure we don’t have too many scenes we are trying to fit in. In this case it was a 60 page script, so when we finished the outline, we talked about scenes we “wanted.” Cullen really wanted the Savashtar investigating scene, so we blocked that out for him. After we do that it is usually pretty close to an even split on the workload.

When we finish our parts, I combine it into one unified script and we both go over it. This part is fun because we get to revel in the genius of our parts and rewrite the stuff the other guy did. I joke about it. Usually it involves tweaking a few things here and there, but not too terribly much.

This is not the only project you two have partnered up for. Why did you start working together?

I met Cullen in 2003. He met me in 2004. There is a story there, but this isn’t the day for that. We were both at a horror convention for writers in New York (in 2004). Found out we lived very close to each other and when we got home started talking and hanging out more. He was working on writing prose, and I had discovered an innate talent for editing. I did an edit for him on a story and he really liked what I did. That was the start of working together.

Are there any specific scenes or narrative developments you want to include in this continuation of the 80’s comic?

We are looking at this as a continuation of the series. 30 years later, these 5 are still defending reality from threats. They have changed, but the dynamics amongst them are still pretty consistent. Zania and Argon are the “bad” pair, while Tanith and Savashtar are the “good” pair, leaving Doomidor in the middle as the balance between them.

The only thing I really pushed for was doing a cover based on the original issue 1. We are technically working on the fourth run of the series. The second run was a short mini series that did a new version of the issue one cover. The third run did not, but it deviated massively from the original concept. I am glad that we got to use a version of the original cover. Jeffrey Edwards did an amazing job on it, and on every page that will be between the covers.

The five main characters are extremely different and layered. What was the biggest challenge bringing them to life?

Anytime you have an ensemble cast it takes time to develop the individuals. It is much easier to write a story with Superman, Batman, and Wonder Woman because you don’t need to establish who they are. You see the S, the Bat cowl, the lariat, and you instantly know who they are.

We have 5 main characters we are essentially introducing to readers. Along with a handful of new characters to the series. That takes time to develop. Being able to do a 60 page issue helps massively with the character development aspect.

Is it turning out the way you’ve envisioned it?

I am still pretty fresh in the comic world, so I am loving the process. Seeing thumbnails come in, then pencils, then inks, then colors. . . Seeing my words and scenes turned into comic pages is amazing. It is so much better than I envisioned it. I love it.

In these shaken times do you try to embed your work with some subliminal criticism or do you keep it detached from the outside world?

Oh, I am constantly putting Easter Eggs into things. Many of which go unnoticed. Cullen is always telling me not to worry about things like that because no one will notice. The secret is, I am putting them in for me. I am ok if no one else ever notices!

I am guessing though that your question is leaning more towards the current political and social climate in our country. And that is something I try and avoid. I don’t need to make enemies right now as I get started in writing. Many writers and artists are taking positions publicly about their support or lack of support for our current administration. I will leave that to them for now.

Anything you can tell us without giving out major spoilers?

We start out seeing the Warlock 5 fighting against an incursion into Grid City, but we will be showing them in their own worlds. And a portion of this first volume is going to take place on a new world in crisis. This will be creating a dilemma for them as they have to choose between helping an individual world or pulling back to Grid City and simply protecting the Grid. It goes towards the question of what are you protecting. It is all good standing guard over a forest and making sure it doesn’t succumb to a forest fire, but when you let a lumberjack in to cut down a tree. . . well, it sucks if you are that tree.

Thanks Jimmy for opening up about the future of Warlock 5! 

###

About WARLOCK 5 KICKSTARTER

Five guardians protect the multiverse against the chaos that lurks outside the boundaries of reality. There’s only one problem: they hate each other.

“The Grid.
 
A mystical nexus, a crossroads connecting all times, all realities. Along the ley lines of the Grid, the multiverse clusters. To move along the Grid is to move from one reality to the next. To harness the power of the Grid is to harness the awesome might of creation.Five touchstone realities exist at focal points along the Grid. From each of these realities, a Warlock is chosen to act as one of five Guardians.
 
Savasthar, a shapeshifting dragon-like being.
 
Doomidor, a warlord from the Dark Ages.Argon, an advanced cybernetic organism from a techno-hell.
 
Tanith, an ageless sorceress.
 
Zania, a power-mad, machine gun necromancer.
 
Together, the Warlocks protect the Grid, thereby protecting all of space and time. They are the last line of defense against the awful forces of chaos that lurk in the darkness outside the Grid.There’s only one problem.They hate each other.”
 
Originally created by Gordon Derry and Denis Beauvais, Warlock 5 was published by Barry Blair, a Canadian comic book publisher, artist and writer, known for launching Aircel Comics in the 1980s. A fierce advocate for innovation in the themes, genres, and types of illustrations, Blair helped to bring titles to life that broke the narrative and graphic boundaries at the time — including Warlock 5.
 
The new Warlock 5 Kickstarter funded this continuation of the Aircel Comics classic fantasy masterpiece. This 2017 reboot is written by CULLEN BUNN and JIMMY JOHNSTON, illustrated by JEFFREY EDWARDS with colors by ANDY POOLE, letters by ED DUKESHIRE, and designs by EDWARD LAVALLEE and SHAWN T. KING. This saga of rivalry, betrayal, magic, dragons, and killer robots is aiming for a 60-page full-color (hard cover) original graphic novel.

WARLOCK 5 IS COMING TO KICKSTARTER ON APRIL 26TH

WARLOCK 5 IS COMING TO KICKSTARTER ON APRIL 26TH

KANSAS, UNITED STATES (26th April, 2017) —

On the 26th April, Ragnarok Publications will launch a Kickstarter campaign for a reimagining of Warlock 5. Originally created by Gordon Derry & Denis Beauvais, Warlock 5 was published by Barry Blair, a Canadian comic book publisher, artist and writer, known for launching Aircel Comics in the 1980s. CULLEN BUNN and JIMMY Z JOHNSTON co-write this relaunched fantasy adventure while JEFFREY EDWARDS takes on the artwork with colors by ANDY POOLE.

The campaign seeks to fund the reinvention of this classic fantasy masterpiece, full of rivalry, betrayal, magic, dragons, and killer robots. The goal is to create a 60-page full-color original graphic novel with an entrancing action-packed narrative that will please both newcomers and fans of the early series.

This project is part of The Barry Blair Library, which provides a collection of approximately 300 issues and over 6000 pages of content collected from over a half-dozen publishers that Blair worked on through the 1980s and 90s. Prepare yourself to read works such as Blood N Guts“, “Demon Hunter“, “Dragonring“,  “Elflord” and Gun Fury” for the first time in digital format.

Cullen & Johnston keep the story faithful to Blair’s work, while Edwards illustrates the most exhilarating multiverse scenes, all brought to life by Poole’s colors.

The new Warlock 5 series is something every comic fan will want.

 

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Ragnarok Publications, founded in 2013 by Joseph Martin and Tim Marquitz, publishes genre fiction and has released about 50 titles from dozens of authors. They specialize in genre fiction and can be reached at www.ragnarokpub.com. Outland Entertainment was founded as a creative services company in 2008 by Jeremy Mohler. Since then, Outland has worked for a wide variety of clients across the world. Outland specializes in assembling creative teams and managing projects. Contact them via their site form or go to www.outlandentertainment.com. For more information, contact Gwendolyn Nix at g.nix@ragnarokpub.com or Susana Grilo at s.grilo@ragnarokpub.com