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Announcement: VIKINGVERSE COVER ILLUSTRATION RELEASED!

ANNOUNCEMENT Official summary of ALL FATHER PARADOX along with color cover illustration! What if an ancient god escaped his fate…and history was thrown to the wolves? Churchwarden Michaels thought it was just a run-of-the-mill crazy old man who stood in the graveyard,...

Announcement: New Comic Coming from Outland Entertainment!

ANNOUNCEMENT: Announcing Riddle of the Loremaster, an all new original comic series written by Melanie R. Meadors, with art by Nicolás Giacondino! Here is a sneak peek at some of the promo art: Riddle of the Loremaster is a comic for mature readers set in a fantasy...

Women in Dark Fantasy Have Changed by Linda Robertson

In doing a bit of research looking for a dark-fantasy-related topic for this article, I sought something that I knew at least a bit about, something I felt strongly about, and something where I could add meaningfully to the conversation. Many things were considered,...

Alethea Kontis on Imposter Syndrome

Earlier this year, I met the only student Katy Kellgren ever had. He told me he just about had to bully her into being his teacher. This amazing, multiple award-winning voice actress with hundreds of audiobooks under her belt truly didn’t believe she knew anything...

Announcements: HATH NO FURY Has Arrived in the US!

Backers of the paperback and hardcover editions of Hath No Fury will be happy to learn that the books have arrived at the printer's headquarters in Chicago! Now, they just need to be sent to our head honcho Jeremy Mohler, and then they will be sent out to backers...

Fairies with Dark Faces by I.L. Cruz

I like fairies—not a difficult admission for a fantasy writer—and I don’t mean the safe Victorian ones with gossamer wings that spread sparkles when they walk. I mean the ones that steal little children and make Faustian bargains. They were ancient and magnificent and...

Announcement: Launching New Transmedia World, VIKINGVERSE

Announcements Introducing the beginning of a new transmedia project with fiction, comics, and games in development! VIKINGVERSE From a concept created by Ian Sharpe, Vikingverse is going to launch this fall with a novel called All Father Paradox. Here is the line art...

The Secret Origin of “Daughter of Sorrow” by Maurice Broaddus

“Mr. Broaddus, you need to start a Creative Writing Club.” Thus began a four week campaign in which different members of my eighth grade class wore me down and I agreed to run an after school program. We ended up with nearly a dozen intrepid souls in our merry band,...

Knaves Has Funded, and Then Some!

Thanks to our awesome backers and readers, the Kickstarter for our anthology, Knaves, has been a success! Four hundred eighty-nine backers came together and invested $15,342 to make Knaves happen. Not only will this anthology be produced, but the authors will all get...

You Like Me Because I’m a Scoundrel

I remember watching Phantom Menace in the movie theater wondering what the movie was missing. There was awesome Jedi action (and way better choreography than the original trilogy). The music was fantastic. Tatooine looked pretty much the same, and pod racing was...

We’re pleased to highlight Alana Joli Abbott, who will be editing our Kickstarter anthology, Kaiju Rising: Age of Monsters II! Support the anthology here!

I have a three year old, so big monsters, in the form of dinosaurs, are a staple around my house. These creatures have strange names, roar, and stomp a lot. Most of the time, all of this happens through toddler filter, so my resident Tyrannosaurus Rex only comes up to my waist. But it’s safe to say that big monsters are very present in my life.

Before working on Kaiju Rising: Age of Monsters II, I didn’t know much about the origin of big monster stories in modern mythology. Were they dinosaur holdovers? Related to their fantasy-cousins, dragons and giants? Where do kaiju come from, anyway?

One of the things that I think is so cool about mythology is how it can evolve. Although I’ve found hints in articles that kaiju are the heirs of monsters from Japanese folklore, the truth is that they’re a specifically science fiction construct, even though they feel much older. While some kaiju might have an Elder Gods, Lovecraftian flare, kaiju were actually born in the 20th century—a mix of a filmmaker wanting to make bank on the popular Hollywood monster movies and the horror of atomic reality.

In the early 1950s, Japanese citizens were understandably wary—if not terrified—of the consequences of atomic weapons, having suffered two devastating bombings in 1945. Survivors of the bombings were named hibakusha, and were typically shunned due to public misunderstandings about radiation sickness and contamination. In 1954, fears of radiation were heightened again when twenty-three sailors aboard the fishing boat Daigo Fukuryū Maru got too close to the fallout of a thermonuclear test at Bikini Atoll. All twenty-three crewmembers suffered acute radiation syndrome. Although all but one recovered, those who were unable to hide their exposure to the radiation were shunned like the hibakusha, and the incident led to a growing fear of contamination in the fish. The fear was reasonable—the “danger zone” from the testing sites declared by the U.S. government underestimated the range that the weaponry would impact, and the fallout spread into an “expanded zone” that included the range of several fishing boats.

What would those fish do to people who ate them? What else might radiation do to the creatures inside the danger zone? Those very present fears, combined with the Japanese box office success of King Kong, created an opportunity for filmmaker Tomoyuki Tanaka to create a relevant, resonant genre of films. Gojira (Godzilla) released the same year as the Daigo Fukuryū Maru and it struck such a chord among Japanese and international viewers that the genre has continued to thrive and grow. The original Godzilla might have been a metaphor for nuclear weapons, but he later became something of a hero, defending humanity against other monsters.

So, Godzilla is the official start of the kaiju—but the idea of a large, prehistoric danger being awoken by the misdeeds of humanity? That’s an old, old story, and continues to be a staple of the SFF genres inside the kaiju medium and beyond. And perhaps it’s also a good thing to remember around my three year old: beware the wrath of the prehistoric imagination!

About Alana Joli Abbott

Alana Joli Abbott is the author of the novels Into the Reach, Departure, and Regaining Home, the interactive multiple choice novel app Choice of Kung Fu and was the writer for the webcomic Cowboys and Aliens II. Her game writing has been featured in Steampunk Musha, the award winning Serenity Adventures, and Dungeon and Dragon magazines. Alana has visited ancient ruins around the world; sung madrigals semi-professionally; and recently earned her black belt in Shaolin Kempo Karate. She lives near New Haven, CT.

About Kaiju Rising: Age of Monsters II

A few years ago, Kaiju Rising: Age of Monsters smashed onto the book scene, collecting stories from some of the best writers of monsters in the business. Now, the age of monsters continues on with the follow up anthology, Kaiju Rising II, featuring stories from authors like Jeremy Robinson, Marie Brennan, Dan Wells, ML Brennan, Jonathan Green, Lee Murray, Cullen Bunn, and more! If you love movies like Pacific Rim, Godzilla, and Kong, you won’t want to miss it. Support this anthology from Outland Publications on Kickstarter now, keywords Kaiju Rising.

We’re pleased to highlight Guadalupe Garcia McCall, who will be writing a Kaiju story for our Kickstarter anthology, Kaiju Rising: Age of Monsters II! Support the anthology here!