Ragnarok Publications Absorbed into Outland Entertainment

Ragnarok Publications Absorbed into Outland Entertainment

Hello folks!

When we announced last year (2017) that we were making changes to Ragnarok Publications, the intent was to maintain Ragnarok as an imprint of Outland Entertainment. But as we started to move forward, it became more and more obvious that there was just too much negative press associated with Ragnarok. None of which really had anything to do with the current team behind the company as it stands.

So, rather than try to continue publishing with one arm tied behind our back, we’ve made the decision to absorb Ragnarok into Outland. It also helps to bring everything under one banner in terms of management and production.

We’ll be maintaining these titles from the Ragnarok catalog –

  • Blackguards: Tales of Assassins, Mercenaries, and Rogues;
  • Genius Loci: Tales of the Spirit of Place;
  • Hath No Fury: Tales of Strong Women;
  • Kaiju Rising: Age of Monsters;
  • Mech: Age of Steel;
  • Neverland’s Library.

We’ll also be maintaining our distribution relationship with Independent Publishers Group (IPG). We love working with them and they have been more than supportive with all the changes we’ve made.

Moving forward, we’ll be taking on projects that we intend to develop into trans-media IP (intellectual property). Meaning, before we take on a project, we’ll be looking at how we can develop it into fiction, comics, and games, or some combination of those three items. It’s a slightly different approach than Ragnarok had previously, but we have a pretty extensive background not only developing fiction (whether it’s anthologies, novels, or novellas), but developing comics and game projects through our creative services as well.

We also have a deep and abiding love for all things fiction, comics, and games!

So as 2018 progresses, we should have some fun announcements to make about the projects that are currently in development. Keep an ear to the ground and if you haven’t already, be sure to sign up for our newsletter at the bottom of this page!





KANSAS, UNITED STATES (28 December, 2017) —

Outland Entertainment has launched its comics, games, and fiction publishing division, Outland Publications. The new arm of the creative services company continues to publish the company’s successful projects, such as the forthcoming print volumes of Nightfell and Warlock 5, as well as digital comics such as Ithaca and The Barry Blair Library, as well as anthologies formerly published by Outland’s fiction arm Ragnarok Publications. All currently in print Ragnarok Publications titles are being absorbed into the new division.

Outland Publications first new anthology project, Kaiju Rising 2, a sequel to Ragnarok Publication’s most popular anthology, is launching a Kickstarter on January 9, 2018. Editors Nick Sharps, editor of Kaiju Rising, and editor-in-chief Alana Joli Abbott have brought together an exceptional author list: Marie Brennan, ML Brennan, Cullen Bunn, Teri Clarke, Nick Cole, Steve Diamond, Kane Gilmour, Jonathan Green, Guadalupe Garcia McCall, Melanie Meadors, Mari Murdock, Lee Murray, Jeremy Robinson, Sabrina Vourvoulias, and Dan Wells. 

Editor in Chief Alana Joli Abbott, who has been with Outland since May 2016 and served as Editor in Chief of Ragnarok Publications upon Outland’s acquisition of that company, enthused about the new division’s upcoming projects. “We have some excellent anthologies planned for this year, featuring a group of really exceptional authors,” she said. “I’m pleased to be collaborating with experienced anthology editors, including Nick Sharps and Melanie Meadors, and Narazu editor Cerece Rennie Murphy, to be putting these projects together.”

Outland Publications’s other forthcoming projects for 2018 include the core roleplaying book for Matt Forbeck’s Shotguns and Socrery, as well as an omnibus tome of Forbeck’s novels that inspired the setting, and the launch of trans-media project Pileaus, which includes a roleplaying game, comic, and short fiction projects. 

Outland Entertainment continues to provide high quality creative services under the name of the parent company.

# # #

Outland Entertainment was founded as a creative services company in 2008 by Jeremy Mohler. Since then, Outland has worked for a wide variety of clients across the world. Outland specializes in assembling creative teams and managing projects. Contact them via their site form or go to www.outlandentertainment.com. For more information, contact Jeremy Mohler at jeremy@outlandentertainment.com.

Professional Practice: Why Worry About Style?

Professional Practice: Why Worry About Style?

The question of personal art “style” is one that seems to come up really often for artists. Especially if you are a young artist, still learning your fundamentals of drawing. Teaching at the college level, I get questions and concerns about style all the time from my students.

I looked it up and this was this definition I got –
“A particular, distinctive, or characteristic mode or form of construction or execution in any art or work.”

I get it, there are many artists out there working in a myriad of different ways and everybody is looking for a way to differentiate themselves from the next guy. Some styles speak to us more strongly than others and sometimes, a particular style can scream at us so loudly and become so overpowering that it starts to sneak in and overpower our own, natural way of drawing. It’s a real danger for younger artists and it can derail your progress as an artist considerably if you aren’t careful. It can actually hurt you in several very important ways –

  • If you put style above fundamentals, you can get caught up in finish and neglect the construction of your drawing.
  • If you are basing the look of your artwork upon another artists work, you may be picking up the bad habits of that artist. If they aren’t constructing their drawings correctly, if their proportions, anatomy, or perspective is flawed, yours will likely be too.
  • You could be considered a knock-off of a particular artist or style, which could hamper your ability to get work. Why would somebody hire you when they could get the original artist?

In my opinion, you are better served to just forget about style altogether.

You should focus on learning your fundamentals and drawing from life as much as possible. The more figure drawing you can get, the better. Don’t get caught up in style too fast, spend the time to construct your drawing accurately and then worry about style. Knowing your fundamentals will give you a better foundation for developing a style or working in a variety of styles because you’ll already be able to construct a drawing with correct proportion, anatomy, or perspective.

Personally, when I was learning to draw, I found inspiration in many places and from many artists (and as an artist, you should always be looking at other art), but when I needed reference on how to draw something, I looked for real life reference. If I wanted to draw exaggerated muscles, I looked at body builders. If I wanted to draw a mountain landscape, I looked for photos of mountain landscapes. And from there, my style naturally developed to how I work today.

Don’t put the cart in front of the horse in regards to style – your style will come to you as you put in the work to learn how to draw.

Good luck!


Shogun Knight Dyson V – Issue 01 Preview

Shogun Knight Dyson V – Issue 01 Preview

SHOGUN KNIGHT DYSON V is the next project we’re publishing through OUTLAND.

Anybody who has been following OUTLAND the last year or so will know that we’ve partnered with Mat Nastos on a variety of projects, AEGISTEEL, ELFLORD, and the re-release of The Barry Blair Library. Almost since the beginning of our partnership, Mat has been talking about an idea for a giant robot book. Well, SHOGUN KNIGHT DYSON V is it.

From Mat –

This is one of my favorite pieces of work I’ve ever done, and is based on my love for the giant robot comics and cartoons of the 70s and 80s. If you love Shogun Warriors, Tranzor-Z (or Mazinger Z in other countries), Giant Robo, Big 0, Grendizer, Getter Robo, or any of their cousins, then you will be blown away by SHOGUN KNIGHT DYSON V! Not only is it full color, but it is printed OVERSIZE at 9″x12″!! The book is a beast and simply beautiful.

Written and created by Mat Nastos, with artwork from Nicolás R. Giacondino, Mat Nastos, and Chunlin Zhao and letters from Ed Dukeshire.

Here is the official blurb –

With the corrupt Titan, BLACK ODIN, on a rampage, it is up to Lieutenant Jonathan “Hightower” Harmon and his team to awaken the guardian robot, DYSON-V, to stop him. Full color, Super Robot action in the vein of Shogun Warriors, Mazinger Z, Giant Robo, and Grendizer.

You see a preview of the first six pages below –

It will be premiering at the Amazing Houston Comic Con September 4 directly from Mat Nastos, but will be ready for pre-order from OUTLAND soon!

Blacklands – Issue 01 Preview

Blacklands – Issue 01 Preview

BLACKLANDS is the next in our list of Outland publishing projects coming to print.

This is a book completed almost entirely in-house – roughly based off a dream I had (Jeremy Mohler) some years ago, it’s created by myself and Edward Lavallee (our Director of Design), also written by Ed, penciled and inked by Erick Marquez (who is a LONG time friend and super talented artist), with layouts, designs, and colors by me. Lettered by the super talented Ed Dukeshire (as ever).

It’s pretty exciting to have a project like this come together. As I said, it began life from a dream I had, though the setting was pretty non-specific. But, being a huge fan of westerns, we decided to take it that way. The first attempt at this book was by my wife (Emily Hall) and I. We originally planned it as a submission to the now canceled DC webcomic site, Zuda Comics. Zuda closed it’s doors before we were ready to submit, however. So it got shelved until some years later when I dug it up as a project to pitch to Ed as something to work on together.

We’ll be premiering it out at the Kansas City Comic Con this weekend (August 07-09) in Kansas City. We’ll be at booth 1425. It’ll be an exclusive run of 150 copies with a unique cover you’ll only be able to pick up at KCCC. We’ll also have a few limited run sketch covers as well (only 25 of these).

I’m really excited about this story and the team and I hope you guys like it!

Here’s a bit about the story –

BLACKLANDS is an action/adventure that takes place in the years following the Civil War. Set in the tradition of the classic Sergio Leone westerns, BLACKLANDS has plenty of action, romance, violence, and revenge. Think of it as PALE RIDER meets TREMORS with a splash of TRUE GRIT thrown in for good measure.

When a young girl goes missing from the small town of Bliss, Silas, the town elder calls upon Virgil Kane to bring her home. Silas explains that details of Lorelle’s disappearance are limited, and that discretion in the girls safe return are imperative as to not bring shame upon his family. Virgil accepts the assignment unaware that Lorelle is pregnant and ran away to ensure the safety of her unborn child.

Danger lurks around every corner as Virgil falls neck-deep into the world-altering hellscape known as BEASTFALL – an environmental cataclysm that brings about a second Dark Age where fresh water and edged weapons are the key to survival.

Check out the preview below!


Elflord – Issue 01 Preview

Elflord – Issue 01 Preview

Hello folks!

The next Kickstarter project we’re in the middle of running is for the continuation of Barry Blair’s fantasy epic, Elflord. Being closest to Barry and his projects, Mat Nastos is the mastermind behind the writing. Tony Vassallo is handling all the pencils, Sian Mandrake on the colors, and Ed Dukeshire on letters.

This is an outstanding team we’ve got on this book and it’s turning out amazing. So seriously, go check it out and help us fund it!

Here’s the video about the Kickstarter!

You can also check out the first ten lettered pages below!

And please, ask questions and let us know what you think!

Aegisteel – Issue 00 Preview

Aegisteel – Issue 00 Preview

AEGISTEEL is the first wholly original property published by Outland Entertainment, written by Mat Nastos, illustrated by Alan Gallo and myself (Jeremy Mohler), and lettered by Ed Dukeshire.

I can’t begin to express how excited I am to have Outland publishing this beast and to have helped design and bring Mat’s world to life. It’s been a lot of fun having the chance to play in this world and I’m looking forward to sitting down and digging into the actual main series. I’m just now getting started on layouts for the first issue and man, it’s going to be fun!

AEGISTEEL has had something of an interesting course to life. I talk a lot about it over here, actually. I also share a lot of the character designs and concepts that I worked on with the writer, Mat Nastos, so be sure to check out that blog post.

A little bit about the world –

AEGISTEEL is a spellpunk adventure set in the world of the Aegisteel Empire, a society of steel and magic built on the backs of its soldiers and terrible war machines. Think of it as DIRTY DOZEN meets SMOKING ACES set in a war-torn SPELLPUNK world.

When the Theln Empire captures the ancient Aegisteel forges at Nelvynnal, veteran marksman Broderick Longbarrel is released from Blackgate Prison and given one last chance for redemption. Tasked with infiltrating the ancient and impenetrable fortress, Longbarrel ans five former death row inmates must succeed before the Theln can begin production of the giant war-golems that could shift the balance of the war.

Below are the layouts and some additional designs I did for the project –

And below are the first eleven pages, fully colored and lettered!

The book is also now available digitally over here!

You can also purchase the limited edition Amazing Las Vegas Convention cover in print here!

And you can also get a 14″x20″ poster over here!

Hope you like it!


Dark & Day: Soldiers & Knights

Dark & Day: Soldiers & Knights

So last October, I came across an ad looking for an art team for a new comic project called Dark & Day: Soldiers & Knights. Little did I know when I reached out just what a really cool project this was.

Here’s the basic premise –

A distant future Earth is now split into permanent Ends of night and day. The night/Dark is a culture of machines, technology, soldiers and logical science (science fiction style). The Day is a culture of magic, mythical creatures, knights and belief in wonder (fantasy style). Both sides fear the other and want to protect their people and their way of life.

Jake Grey, the creator, and I started talking and he began to share some of the concept art for the project he’d already developed and scope of the world started to come into focus. I was really floored. If I hadn’t been sold on the premise alone, seeing it brought to life and getting a sense of where Jake wanted to take the project really brought it all home. I knew that this had to be an Outland project.

You can read more about the project and see more art samples over on the project page.

Jake is also currently running a Kickstarter to help fund the next book of the project. You should go over and check it out and help fund the project!

Check out the project and help fund it!


Goodman Games: 5th Edition Fantasy

Goodman Games: 5th Edition Fantasy

Mid-year last year, one of my personal long term clients, Goodman Games, approached Outland about doing some work on a new series of adventures they were developing based on the new 5th Edition Dungeons & Dragons.

This was a unique opportunity because we were not only handling the illustration for the book, but we also handled all the cartography, the cover design, and the interior page design. We pretty much handled the whole package with the exception of the cover art and the interior layout.

If you would like to read more about the project and see more samples of the artwork we completed, please head over here or check it out on our portfolio page!



Professional Practice: Not Doing Free Work

Professional Practice: Not Doing Free Work

This is a loaded question in the comics and game community (and while I’m speaking directly to that community, I feel that this applies across the board to ALL creative endeavors).

With the rise of the internet, there is absolutely no shortage of artists looking for work. There is also no shortage of people wanting to have work done for free. And as a young artist, sometimes, it can be difficult to figure out just what the best course of action is as you build your portfolio and reputation. It’s also easier to take chances when you are younger and fall into traps because you just don’t have the experience to know what kind of mess you might be getting into.

There are several situations you may find yourself in –

  • Somebody approaches you to work on the project for a royalty. This is typically called spec work and no matter what the person approaching you might say, there is no guarantee of payout. Please be wary of dropping weeks and months into a project with no guarantee of payout.
  • The other situation you may find yourself in is the case of free samples. Again, this is often considered a test to potentially get a project. I’m here to tell you – any decent art director can take one look at your portfolio and know whether or not you’ll fit the project. Plus, you may sink days or even a week into working on these free samples and still not get the job. Samples are fine, but getting some sort of payment for them is reasonable.
  • Finally, watch out for contests from big companies. Often, a large, well established company will run a contest for a poster, design, or anything, really. Please read the fine print – often-times there is just one reward and the company running the contest will own rights to every contest entry. This is simply an easy way for them to generate new ideas cheaply.

I personally feel that any payment, even a low payment, is better than no payment. There is almost always room for some sort of negotiation. And it’s not good for the industry for artists to take on free work as it devalues the work across the entire industry. More personally, it’s also not good for you, as I’m pretty sure you are still going to have to pay your bills on time, whether or you are paid or not.

Now, there is almost always an exception to the rule, so when you find yourself in this situation, and you will (every professional I know has been in this position), you need to ask yourself several questions –

  • Who am I working with? Is this somebody I know of? Do they have a reputation in the industry?
  • What is the product I’m working on? Is it well known? Does it have a following?
  • If the person approaching you cares so much about this project, why aren’t they willing to put their own money into it?

Sometimes, you may find yourself in a situation where the lines aren’t so clear. It’s easy to turn down a project from a complete stranger. But if it’s a peer or colleague, or even somebody who has some pull in the industry, it may be worth taking a chance. The same can be said for established properties. If it’s an established brand with a large following, it might be worth taking a chance.

To give you several examples –

  • I took on a coloring project for a graphic novel a couple years ago. It was for a well established property with millions of novels sold and a feature film in production (which, incidentally, flopped). I researched it before hand to find all of this out and to educate myself on whether it was a smart business decision or not – from all indications, it seemed like a sure thing! I colored over a hundred pages of artwork over the course of a year and at the last minute, the owner of the property decided to change the terms of the contract, and I’ve never seen a dime. This is a cautionary tale – even with research and a well-established property, taking on spec work is still a gamble.
  • Several years ago I met an industry veteran, Bo Hampton. I’d grown up reading his books and I have always been a fan of his work. We started talking, exchanged some emails, and eventually, he had a really awesome project come together called 3 Devils. It’s a supernatural western with zombies, werewolves, and gypsies and he invited me to work on it with him. For me, since Bo was somebody I’d grown up admiring and reading, I jumped at the chance to work with him. We’ll be publishing the series through IDW later this year. In this case, the royalty didn’t matter as much to me as the opportunity to work with an artist I admired.

You have to judge each project on a per case basis, just keep in mind – nothing is a sure thing.