I like fairies—not a difficult admission for a fantasy writer—and I don’t mean the safe Victorian ones with gossamer wings that spread sparkles when they walk. I mean the ones that steal little children and make Faustian bargains. They were ancient and magnificent and knew worlds beyond our own. Is it any wonder they acted like gods?
What attracted me to the idea of fairies weren’t the fairies themselves. It was the idea that they were hidden, usually in plain sight, and only the initiated would be able to find them. It was a test of worthiness and the outcome was never guaranteed to be a good one. Catching a leprechaun earned you a pot of gold, but if you weren’t careful it also came with a curse. No one ever said adventure was a good idea.
But as I got older, I was pulled away from the fairy world. I could say I outgrew it, but that sounds sad, like someone who no longer catches wishes on the wind or searches for four-leaf clover. No, I moved away from fairyland because no one there looked like me. My roots are Latina and I knew very early that all those fairies—pixies, gnomes, sprites—were not mine. They were Northern European with pale skin, long, straight hair and bright, light eyes. Just as I knew I would never be compared to Snow White, I knew fairies were just as far from reach.
That didn’t stop me from wanting to write myself and people like me into the stories. I wanted a mythology, folklore that looked like the fairyland I’d grown up loving. And then I discovered something wonderful. Fairies are for the rest of us. The trick is to expand the idea of what constitutes a fairy
One of the early inhabitants of Puerto Rico was the Taino. They had a rich culture and heritage and during my studies I discovered something that looked familiar—beings that only walked the mortal realm after sundown. They were shapeshifters, pranksters, and could be benevolent (when moved to be) or malevolent (when crossed by mere mortals). During the day they lived in a realm called Coaybay, which was considered “the other side of the island”, as though people could get there. The ruler of their realm was called Marquetaurie Guayaba and he had a dog Opiyelguabirán who guards the entrance to Coaybay. In the stories the realm was only for the dead when their goieza, or souls, left their bodies. Then the goieza were judged and the good ones became hupia, while the bad ones became Maboya. Both could be identified by the lack of a navel and were attracted to guava.
The more I read, the more I saw similarities to other fairy stories I’d read. Their changeable nature. The ability to do kind and cruel things. Having a kingdom, tantalizingly close to the world of man, complete with a ruler. Only emerging at night and having a distinguishing feature. These were spirits of the dead, but they never moved on and after centuries they forgot where they came from and became spirits of the forest, the rain forest. It sounded like fairies to me. And I wondered, what if I had been asking the wrong question? Maybe every culture has a fairy and I didn’t know because it’s not out there to find. But it is. I just had to look for it. Kind of like fairies—close at hand, but only for those who know what to look for. They don’t make it easy, but if you’re one of the chosen, you may get a glimpse of a fairy that looks like you.
About a Smuggler’s Path by I.L. Cruz (coming soon!)
In Canto, magic is a commodity, outlawed by the elites after a devastating war and brokered by smugglers on the hidden market. But some know it’s more—a birthright.
Inez Garza moves through both worlds. She’s a member of an old, aristocratic family and she works for the hidden market as a magical arms dealer. Inez must keep her smuggling of magical contraband a secret for her sake and her family’s safety. Her worlds stay separate to hide her real purpose—funding The Heir Apparent, an underground group determined to return magic to the people at any cost.
But the discovery of a relic from before the war threatens her delicate balance.
Inez’s inherent magic, which lives in all the Canti, has been awakened by an ancient cowry shell. Now the Duchess’s daughter and smuggler must add another title to her already precarious position—mage, a capital crime. This could bring her to the attention factions at home— both the rebels she secretly supports, and those at the highest levels of government, doggedly holding to the status quo to avoid another magical war—and abroad.
And Inez must decide who she can trust and what her powers mean for her future and the future of Canto.
Introducing the beginning of a new transmedia project with fiction, comics, and games in development!
From a concept created by Ian Sharpe, Vikingverse is going to launch this fall with a novel called All Father Paradox. Here is the line art for the cover-in-progress by Jeremy Mohler:
All Father Paradox is coming in October!
Odin has escaped his doom at Ragnarok. Now, history has been thrown to the wolves.
In the All Father Paradox, Ian Sharpe reveals a parallel universe where Vikings rule seas and stars with restless fleets. In a series of interwoven sagas, a young Norse prince plots to shatter empires and claim the heavens; a newly qualified professor finds the key to new horizons but unlocks a ceaseless hunger; and a bold empress discovers there is a price for immortality, one her ancestors have come to collect.
“Mr. Broaddus, you need to start a Creative Writing Club.” Thus began a four week campaign in which different members of my eighth grade class wore me down and I agreed to run an after school program. We ended up with nearly a dozen intrepid souls in our merry band, including two sixth graders. Each one with a story (or novel or series of novels) in progress.
Maurice BroaddusThe timing of the call to write for the Knaves anthology couldn’t have been more perfect.
It gave me an opportunity to write alongside my students, which is always one of my favorite ways to teach creative writing because it demystifies the process in very practical ways (minus the profanity when I got stuck…though my kind-hearted middle school students offered to fill that in for me, but for the sake of me wanting to keep my job, I declined their helpful offer).
So that out time together wouldn’t degenerate into “goofing off with Mr. Broaddus” (I’m not admitting that on rare occasion my time with my eighth graders may have slid into this), I outlines a series of topics for us to discuss: brainstorming, world-building, plotting, beginnings, scenes, middles, dialogue, endings, and revision. The thing about eighth graders, especially ones who believe that after school they are “off the clock,” is that they “listen” in different ways. To the casual observer, it may have looked a lot like them insulting one another, throwing paper wads, attempting to listen to music, and cruising the latest Fortnite skins. However, when it came time to write, they were all business.
With this in mind, I wrote “Daughter of Sorrow.” This story features a heroine named Rianna (I’m not admitting that I had a student named Rianna who declared herself my favorite student. I will say that if you notice in any of my work produced between the fall of 2017 and spring of 2018 the phrase “Rianna is Queen,” know that she was prone to “editing” my drafts). She’s facing the prospect of going to high school. And as many people have rightly assumed, high school is a place full of assassins. So it’s handy that her father happens to be one who has been training her and allowed her to tag along (remotely) on some of his missions.
Writing is often a very solitary art form, which has always frustrated me a little because I hate the idea of extended periods of isolating myself to create. So whenever possible, I have tried to find ways to make my art/process as communal as possible. Surrounding myself with eighth graders to brainstorm and plot is a lot like attempting to write in the Thunderdome. On the flip side, they poured that same energy and passion into their own work, too. In our final meeting, we did readings of our work. And it was obvious they really paid attention. In fact, in a moment I still think back on with pride, it was one of our sixth graders who wrote a piece so profound it ripped out our hearts and sent us spiraling into our feels.
So “Daughter of Sorrow” is dedicated to my Creative Writing Club who are eagerly awaiting to see it in print (and whom I have promised to buy copies for). They were my critique partners, they were my editors, and they were my inspiration (I won’t lie: I bawled like a baby at their promotion ceremony). However, right after their graduation, my sixth graders came up to me and said “Mr. Broaddus, you need to start a Creative Writing Club.”
About Maurice Broaddus
Maurice Broaddus is an exotic dancer, trained in several forms of martial arts–often referred to as “the ghetto ninja”–and was voted the Indianapolis Dalai Lama. He’s an award winning haberdasher and coined the word “acerbic”. He graduated college at age 14 and high school at age 16. Not only is he credited with inventing the question mark, he unsuccessfully tried to launch a new number between seven and eight.
When not editing or writing, he is a champion curler and often impersonates Jack Bauer, but only in a French accent. He raises free range jackalopes with his wife and two sons … when they are not solving murder mysteries.
He really likes to make up stories. A lot. Especially about himself.
Thanks to our awesome backers and readers, the Kickstarter for our anthology, Knaves, has been a success!
Four hundred eighty-nine backers came together and invested $15,342 to make Knaves happen. Not only will this anthology be produced, but the authors will all get their raises, bringing them up to ten cents per word. Not only that, but we can so close to the art stretch goal that we are considering adding Nicolás Giacondino’s wonderful Knave-inspired artwork to the book.
One of the backer rewards for Knaves was for the backers to get the all-new editions of Blackguards, which will be called Scoundrels and Brigands. We’re pleased to announce that these books will have one brand new story in each volume, one by New York Times bestselling author Elaine Cunningham, and the other by Zin E. Rocklyn, who also wrote a story for us for Kaiju Rising 2!
This Kickstarter is set to deliver in November, 2018, and we can’t wait for readers to see it!
Anton Strout is the author of urban fantasy, including the Simon Canderous paranormal detective series and the Spellmason Chronicles. He’s also the host of the Once and Future Podcast. He’s going to have a story in the fantasy anthology Knaves from Outland Entertainment, now on Kickstarter!
There are words and phrases from what one reads that stick with you throughout your entire life. From the moment you read them they inspired or changed you. As a teen, the now clichéd “Carpe Diem, Seize the Day” from the film Dead Poet’s Society was life changing, but it was reading that always struck to the core of my heart when it came to shaping who I was as both a person and as a writer of the fantastical.
No one was as pivotal to who I became in both respects than Douglas Adams. My first exposure was to the PBS import of the BBC television series The Hitchhiker’s Guide to the Galaxy. Immediately I HAD TO HAVE the books and made my mother take me to buy what was then just the Hitchhiker’s Trilogy. I still have the broken spined, falling apart hardcover, coated in dried green slime from a toy accident years ago. Then I consumed the radio plays on cassette, and bought the annotated transcripts to read along with.
There are a million turns of phrase that the late Mr. Adams wrote over the years that stick with me:
- “Don’t Panic.”—the words inscribed on the guide itself, and an obvious choice as a life motto.
- “Life. Don’t talk to me about life.”—Marvin the Paranoid Android, moping about in his usual depressed state
- From the planet builder Slartibartfast, best known for winning an award for designing Earth’s Norwegian fjords:
Slartibartfast: I’d far rather be happy than right any day.
Arthur: And are you?
Slartibartfast: No. That’s where it all falls down of course.
But the one that has always stuck with me is:
This planet has – or rather had – a problem, which was this: most of the people living on it were unhappy for pretty much of the time. Many solutions were suggested for this problem, but most of these were largely concerned with the movement of small green pieces of paper, which was odd because on the whole it wasn’t the small green pieces of paper that were unhappy.
To a 12-year old kid, it just seemed funny, but it also made me think. Adults were weird, anyway. Why would they obsess over these little green pieces of paper? The idea was absurd—later causing me to strive in my own fiction to capture even just a fracture of Mr. Adam’s genius/humor—but his words were also spot on about the human condition. These were IMPORTANT WORDS, important thoughts! As I grew up and became an adult myself (a debatable point, I know), I found the words stuck with me.
I’ve been financially stable as well as pathetically poor, but rarely have I suffered at the hand of that ebb and flow. Money is always welcome and nice to have and all, but I’ve never let a lack of it determine my happiness. It’s been a pretty healthy attitude, focusing me instead on what truly makes me happy—family, writing, rampantly consuming all manners of nerdery…
Such a complexly written yet simply logical line transformed my entire attitude about the true answer to life, the universe, and well, everything. Words…powerful stuff indeed.
There are only a couple days left to back Knaves: A Blackguards Anthology on Kickstarter!
Featuring stories from Cat Rambo, Mercedes Lackey & Dennis Lee, Maurice Broaddus, Anton Strout, Anna Spark Smith, Cullen Bunn, Walidah Imarisha, Sabrina Vourvoulias, Clay Sanger, Kenny Soward, Linda Robertson, Lian Hearn, Toiya Kristen Finley, and Shanna Germain, Knaves contains stories about people on the wrong side of the ethical tracks, folks whose moral compasses don’t quite point north, and those who have to make hard decisions that are in that gray area between good and bad. While many of the stories are traditional fantasy, others are on the edge of cyberpunk, horror, and urban fantasy.
Backers have the options of having characters named after them, getting their query letters or their fiction critiqued by the authors or editors, and getting an original piece of artwork from artist Nicolás Giacondino, and of course, getting eBook and print copies of Knaves. Backers will also have the option of being the first to receive new editions of the original Blackguards anthology stories, divided into two volumes and re-branded with the Outland Entertainment logo, These volumes will have new covers as well as one new story in each.
Knaves: A Blackguards Anthology was selected as a Kickstarter Staff Pick, and editors Melanie R. Meadors and Alana Joli Abbott have seen what a special collection of stories this will surely be. Fantasy fans of all types will find something to love. But don’t wait to back it—there are only a couple days left!
Last year, some of us discovered the irreverence of Deadpool and are eager to view the sequel. This year, some of us are working with one of the writers from his comics: Cullen Bunn.
But we’re not the only ones fangirling/fanboying. Cullen is wearing his fanboy hat himself as he has love Warlock 5 for more than thirty years.
How did you stumble upon Warlock 5 for the first time?
I discovered Warlock 5 at my local comic book shop (Heroes Are Here in Goldsboro NC) when I was a kid. I picked the first issue up off the shelf.
Why did it capture you?
Right from the jump, that awesome cover of the first issue, featuring the 5 warlocks, had my attention. Then, reading the issue, I fell in love with the interesting, sort of hard-edged cast of characters, the fusion of horror, science fiction, and fantasy was right up my alley.
Did you have a favorite issue?
I think the first 5 or so issues were all pretty great, but that first issue will always be my favorite in the series. It did such a nice job of introducing all the characters and giving me a feel for the tone of the series.
How about a beloved character?
Savasthar, the shapeshifting dragon, has always been my favorite of the bunch, but I have a soft spot for Zania, too.
Did these change once you picked the books up to work on the project?
Not too much. If anything, I like both Savasthar and Zania a little more. In this project, I get to write Savasthar as sort of a brooding hardboiled detective… who can turn into a dragon… so that’s pretty hard to beat.
The original work must have cast a heavy weight, but what other influences did you have?
As with all my projects, I draw inspiration from many different places. Novels, movies, TV, other comics… It’s hard for me to pinpoint any one source. Those original few issues of the Warlock 5 comic were definitely the most vital influence.
The writing process is a collaboration between you and Jimmy Z Johnston. How is it to collaborate with other artists? Is there too much compromise?
I enjoy collaborating with others. Sometimes, writing comics is too solitary. Working with other creators helps to keep me sane.
This is not the only project you two have partnered up for. Why did you start working together?
I’ve known Jimmy Z for a long time now. Ten years, I guess. And we’ve always talked about writing something together.
Are there any specific scenes or narrative developments you want to include in this continuation of the 80’s comic?
We looked at the weird relationships between the warlocks as they were presented in the original comic, and we wanted to honor the way their interactions were depicted. But we also wanted to expand on what we had seen before and deepen those connections.
What are you most looking forward to work on?
I chuckle to myself every time I think of the interactions between Zania, the punk rock necromancer, and Argon, the Terminator-like robot from the future. But from a “big story” perspective, we’re getting a chance to really explore the idea of defending multiple realities from outside threats. And we’re introducing a really, really big outside threat.
The five main characters are extremely different and layered. What was the biggest challenge bringing them to life?
We have to make sure to give each character plenty of “page time.” This is an ensemble cast, and no one character needs to hog the spotlight. That can be a challenge at times.
Is it turning out the way you’ve envisioned it?
For the most part, yeah. Any time you work on a comic like this, especially with a co-writer, there are changes and new angles that arise as you are working on the project.
In these shaken times do you try to embed your work with some subliminal criticism or do you keep it detached from the outside world?
I think people will read something more into the book whether or not I try to include something. But my primary objective with these stories is to entertain. Sure, there might be some subliminal ideas that I’m working into a story based on things that I’m thinking about, but I’m not going to try to hit the reader over the head with any of that.
Anything you can tell us without giving out major spoilers?
Well, I always wondered what would happen to the five warlocks if one of them died.
As we cruise into the middle of 2018, it might be difficult, surrounded as we are with great kaiju novels and anthologies, comics, and Pacific Rim Uprising rampaging across theater screens, to recall a time when kaiju fans were at a loss for good material. And while there have been few gaps in the cinematic history of kaiju, when it comes to prose, things were pretty sparse until 2012.
Just how sparse? Well, there was a fairly steady stream of comics from the Marvel Godzilla issues of the 1970s. Dark Horse got the Godzilla license in the late 1980s and continued publishing their comics into the 1990s and acting as prologue to the abysmal American Godzilla film from 1998. IDW’s comics started in 2010 and became some big sellers, and along the way we had artist superstars like Matt Frank and Bob Eggleton become well-known names associated with kaiju. There were also a handful of other kaiju comics (i.e.: those not starring the Big G) or things that could charitably be called kaiju comics, too.
But when it came to actual prose—novels, novellas, and short stories—the scene was pretty thin. And beyond Godzilla? Not much.
In the 1990s, a series of Godzilla YA novels began with Marc Cerasini’s Godzilla Returns. But sales on the series probably were not what the publisher hoped, because it was cancelled after just four books (with a fifth written but never published).
A few random fits and starts occurred over the years. Monster Makers, Inc. (1987) by Laurence Yip, predated the YA series, but was more of a one-off thing. The Buzzing (2003) by Jim Knipfel was a detective story with its inspiration in kaiju stories. MM9 (2012) by Hiroshi Yamamoto was certainly a full-on kaiju novel by a Japanese author, but the translated edition appears to be the last book by the author available on Western shores. (I should also point out here that this brief history of kaiju prose is strictly looking at novels in the English speaking world. I would expect—and hope—that there are plenty of kaiju novels available in Japan).
Although MM9 was released first, it didn’t have half the impact of the next kaiju novel released. And I know a little something about this next one. I was partly responsible for its existence. In 2011, I was freelance editing and working on my own novels as time permitted. One book I planned to write was a YA kaiju adventure set in Vermont (sadly still not completed). I talked about it with my most frequent editing client, Jeremy Robinson. It turned out he was a huge kaiju fan, and had always wanted to write a kaiju novel. Most of his novels up to that point featured large creatures—aliens, dinosaurs, sea serpents, the hydra, and stone golems—and the book he was working on at the time even had a creature/character named ‘Kaiju.’
I encouraged Jeremy to go ahead and work on his kaiju novel idea and release it. The time was ripe for self-published novels and if anyone could do justice to a kaiju novel, it was Jeremy. That novel, which I edited for him, was 2012’s Project Nemesis, and while Jeremy opted to self-publish the book, he had actually received an offer from a major New York publisher for it. He turned them down though, and he promptly made more money self-pubbing the book. The book came adorned with a label that read ‘A Kaiju Thriller’ and a novel subgenre was born.
Nemesis was huge. The novel was (and perhaps remains) the highest-selling original non-licensed kaiju novel of all time. Jeremy became an international bestselling author and among many other novels he also wrote four bestselling sequels in the Nemesis Saga. The character was licensed to appear in an indie video game. The book was reviewed in Famous Monsters of Filmland magazine, and when they launched their comic book publishing arm, American Gothic Press, Project Nemesis, written by Robinson and with art by the stellar Matt Frank (hot off the heels of Godzilla: Rulers of Earth) was their flagship title. The character has even had major Hollywood interest lately.
Following Nemesis, though, and seemingly all at once, kaiju were everywhere. It helped that the Pacific Rim film was coming in 2013 and a new American Godzilla film was on the way for 2014. But suddenly there were authors writing kaiju novels. Matthew Dennion (who wrote a Nemesis short story for G-Fan magazine in 2014), Jake Bible, JE Gurley, and Eric S. Brown were all putting out great stuff. Handfuls of other authors were diving in, many utilizing the ‘Kaiju Thriller’ tag line, loud and proud.
Then there were the anthologies. Robert Hood and Robin Penn had edited a trio of kaiju-themed anthologies in 2006-2007, Daikaiju! Giant Monster Tales, Daikaiju! 2 Revenge of the Giant Monsters, and Daikaiju! 3 Giant Monsters Vs. the World. Once the dam broke in 2012, however, many more followed. Monster Earth by James Palmer and Jim Beard. Kaiju Rising: Age of Monsters by Tim Marquitz and N. X. Sharps came about via a kaiju-sized Kickstarter campaign that was so over-funded it brought on illustrations for every short story and even a few additional stories (including one from yours truly).
SF editor supreme Sean Wallace put together a reprint anthology for the Constable & Robinson (and in the US, Prime Books) Mammoth series: The Mammoth Book of Kaiju. Ragnarok followed up their successful Kaiju Rising anthology with a giant robot companion, called MECH: Age of Steel, and the book contained its fair share of mechs beating down on over-sized monsters.
In short, the last six years have been a second golden age for kaiju fans. Two Pacific Rim films, two Godzilla films (with more coming, including a Kong rematch). Animated films. Kong: Skull Island. Cloverfield sequels. The upcoming MEG. Even the black comedy Colossal. Comics have been bountiful, and there’s been plenty of good stuff beyond Godzilla and Pacific Rim comics, including Kaijumax, King of Zombies, and the upcoming Redman with kaiju-riffic Matt Frank art. Fantastic novels like Robinson’s Apocalypse Machine, Raffael Coronelli’s Daikaiju Yuki, Lee Murray’s Into The Mist, and Greig Beck’s Primordia series are becoming the norm. A cursory look at the search term ‘kaiju’ on Amazon will yield plenty of releases just in 2018 or scheduled for later this year.
About Kane Gilmour
Kane Gilmour is the international bestselling author of The Crypt of Dracula and Resurrect. His short stories have appeared in Kaiju Rising: Age of Monsters and MECH: Age of Steel. SNAFU II: Survival of the Fittest, and Dark Discoveries magazine. He also writes comic books. He lives with his significant other, his kids, her kids, and three dogs in Vermont. He’s thinking of buying a farm to house them all. Find him on the web at http://kanegilmour.com/.
Naming a character is like naming your first-born child. You agonize over very detail, even go so far as to pronounce the name under your breath to test the inflection. Lucky for you, you’re more concerned with how it looks on paper rather than how it sounds spoken in the real world. Who would ever have you pronounce these names out loud anyway?
You agonize over whether the character will be made fun of at the school of Goodreads and Amazon, or even on book review blogs. Maybe the clever internet will turn it into some kind of pun that you’ll laugh and smile about…until it wakes you up at 2am with anxiety and you kick yourself mentally, mulling over how you could ever think that would be the right name for your character. Especially after all the pronunciation work you did in the beginning.
The character’s name can’t be too confusing either. Your reader might read Amieriel and just settle on Amy, instead, for ease of comprehension. It’s a delicate line to balance, especially in the science fiction/ fantasy worlds of Lothlórian and Arrakis and Cthulhu. You desire to use that sweet name you uncovered in the depths of lore you spent hours researching. The one with the Latin root and the Germanic ending, but with the accent of the French. You want to ensure the character’s name has meaning and is central to the plot as an Easter egg for your most enthusiastic, devoted fans.
You name her Amy after all. Amieriel gets hard to type after a while. Is it i before e?
You find the name doesn’t fit. You try different ones on like clothes, writing long paragraphs to test them out. Something just isn’t right. The other characters won’t cooperate. The dialogue doesn’t flow. They stand around the battleground of your imagination, hands on their hips, saying, “Amy? Really? Is that the best you can do?”
You end up using a simple letter to denominate the character’s name so you can keep writing. The most basic thing—a name—can’t stop you, the proficient writer that you are. Yet, 2am creeps around, keeping you up pondering the truth behind a name, mulling over the meaning behind what you call someone you created out of thin air. How can these characters be so defiant, so demanding of your poor brain?
You find the most glorious name of all the names. It means “titan of the dawn.” There’s even lore behind it that ties in with another facet of your tale—hint, it has to do with resurrected split personalities—and then later on down the road when you’re mid-way through your 100th novel revision, Canon comes out with a camera sporting the same name.
Stupid cameras. You’ve come this far. You can’t rename your baby, now. Eos stays.
You utilize names that correspond with legends. You delight in the background of the names. You learn that the main characters in your book end in an “-el” which means “of God.” You find that the one angel who’s been cast from grace, who has become more of an elemental being rather than God’s creation of fire, has lost this important, yet small, name ending, You delight in how the names all seem to fit together, how things begin to come together. You uncover an old martyr, somewhat forgotten, and can’t stop the smile that spreads across your face when you understand the possibilities of a once-minor character. This prince of the realm has so much potential, now.
You pick up baby name books at the grocery store while you wait in line. Sometimes, those standing in line with you will pat you on the back with smiles and you grin back, never thinking for an instant that they might be congratulating you. You’ve just uncovered your next character’s first name—and it fits like a perfect puzzle piece.
About The Falling Dawn: Celestial Scripts Book One
Emerging from the dregs of society to become a celestial warrior, Eos soon becomes immersed in a world of ancient texts and falling angels, tasked to find the sacred Book of Raziel and stop a war in heaven. The secrets of the Book will lead Eos down a path of betrayal, pitting her against those she loves. All the while she must cling to her own crumbling sanity as her psyche is split by the emergence of another entity, heralded by the onset of Eos’ new powers. Soon, Eos finds herself in the clutches of the Master of the Oceans, where she must convince him to give her the sacred book. His price? Her soul.
The Falling Dawn is available online wherever books are sold! Find your copy here.
About Gwendolyn N. Nix
Raised in the wilds of countless library stacks, Gwendolyn N. Nix has forged her skills in writing and science in the shark-infested waters of Belize, by researching neural proteins, inducing evolutionary pressures in green algae, and through the limitless horizons of her own imagination. A born seeker of adventure, she saw her first beached humpback whale on a windy day in New York, met a ghost angel in a Paris train station, and had Odin answer her prayers on a mountain in Scotland. Her short fiction appears in The Sisterhood of the Blade anthology. The Falling Dawn is her first novel. She lives in Missoula, MT.
Follow her on Facebook, Twitter, Pinterest, and on her author website, www.gwendolynnix.com.
For Immediate Release
Contact Melanie R. Meadors
Same Assassins, Thieves, and Mercenaries, Different Packaging
Outland Entertainment Gives Blackguards a Facelift
May 9, 2018—Topeka, KS—Outland Entertainment is please to announce a new look and edition for the anthology Blackguards, dividing the book into two volumes and including two never-before-seen stories.
Blackguards, originally published by Ragnarok Publications, was a massive volume containing stories from some of the best dark fantasy and grim dark authors in the industry. It was so big that there was an e-book only supplement, The Blackguards Blacklist, containing stories from talented authors that were not available in print.
“Because of the large page count of the book, printing this book became prohibitively expensive,” says creative director and owner of Outland Entertainment Jeremy Mohler. “Dividing the book into two will not only allow us to release it in a financially feasible way for both readers and publisher, it will let us make room so that all the Blackguards authors interested can be included in the print editions.”
The new volumes, entitled Brigands and Scoundrels will have all new cover art by Daniel Rempel, and editing will be done by Alana Joli Abbott and Melanie R. Meadors (with first edition credit going to JM Martin). The books will have stories in them by Bradley P. Beaulieu, Lian Hearn, Rob J. Hayes, Anthony Lowe, Anthony Ryan, Linda Robertson, Cat Rambo, Erik Scott de Bie, and many more. Not only will the books have stories that appeared in the original anthology, but each volume will feature a brand new story from fantasy authors not included in the original volume or the ebook companion.
Backers of the upcoming Knaves anthology Kickstarter (May 15) will have a first chance to see the new books. Ebooks and physical copies of Brigands and Scoundrels will be offered as backer rewards for Knaves. Afterwards, both Brigands and Scoundrels will be available online and in bookstores.